NewMU: Wonder Man

Jan-31-12

“Simon Williams has a real problem on his hands….does he show up to the premiere of his new movie, or risk the public embarrassment by skipping that to deal with the costumed Gladiator who’s smashing apart the set of the movie he’s currently shooting?  What’s more dangerous….his arch foe, or the ire of his girlfriend Janet if he leaves her waiting on the red carpet?”

I’ll be the first to admit it….I’m not the biggest fan of Wonder Man.  He’s never really impressed me in his previous outings (except when they team him up with the Beast….the two of them are always worth reading about when they’re together) and his history is a rather garbled bit of business.  Is he a businessman with a flair for inventing, or an aspiring actor?  Is he a super strong human or is he composed of some odd super energy?  Is he dead, or is he in some ghost-like state or is he a zombie?  However, I do believe that he fills a niche in the Marvel Universe, and that’s of a hero with ties to Hollywood.

We’re going to start with his origin, stripping away the failed businessman nonsense that seems to be at odds with later versions of the character.  Simon Williams grew up in California, and from his earliest years he dreamed of being an actor.  As he got older he was sure that his natural good looks and chiseled body would land him a part in a movie or television series which would allow him to break into the big leagues.  However, by the time he turned 25 he still had not found that breakout role, mostly getting walk on bits or one-off roles that required a buff dumb guy.  Unsure of what to do to get noticed, he consulted with his agent, an eccentric spinmaster who called himself Dollar Bill.  Dollar Bill pointed out the number of heroes in brightly colored costumes who were appearing on the scene, and suggested that as an option for Simon to generate publicity and stand out from the pack.  When Simon pointed out that he didn’t actually have powers and was concerned that he might get hurt (and have his handsome face damaged, which would not be good for his career), Dollar Bill replied that he knew of a way for Simon to gain powers.

It seems that Dollar Bill had heard of a scientist who was looking for volunteers willing to undergo a procedure which she said would give them superpowers.  The cost was high but not out of Simon’s reach, as the procedure was dangerous.  Simon was unsure if this was for him, but after repeated pressure from Dollar Bill, and after talking with his childhood friend Fabian Stanton (nee Fabian Stankowicz, who had changed his own last name when he tried to become an actor himself, before he realized he was happier creating technical effects for movies), he decided to go for it.  He contacted this Dr. Nightshade, and soon went into her care for a period of two weeks.  He doesn’t remember much of that time, but when it was over, he had gained superhuman strength and limited invulnerability.  Thrilled, he rushed to tell Dollar Bill and Fabian the good news.

Dollar Bill had crafted him a costume and christened him Wonder Man, in his typically bombastic style.  Bill and Fabian had also decided that being able to fly would make him seem more dashing and heroic, and Fabian had built a jetpack for him.  After that, Simon began making appearances as Wonder Man, usually fighting everyday criminals like bank robbers or saving people from fires and car accidents.  Of course, he always made sure to stick around for the press to arrive, and he made sure that everyone knew that Wonder Man was really Simon Williams, made much easier by the fact that he didn’t wear a mask.

That’s our setup.  Simon is our hero, using the celebrity that doing good deeds affords him to advance his fledgling acting career.  How much does being a hero mean to him?  Probably not that much.  He prefers acting most of the time, and honestly, he’s actually pretty good at it.  Dollar Bill is still his agent, crazy and over the top as ever.  Fabian also works in the movie business, doing special effects and serves as Simon’s confidante and tech help.  Simon’s girlfriend is Janet Van Dyne, an heiress who has her own reality show, sort of like one of the Kardashians.  The difference is that Janet is also a mutant, with the ability to shrink, grow wings from her back and fire venom blasts.  In that guise she calls herself the Wasp, but she’s not much of a superhero.  It’s unclear if she and Simon are just using each other for the publicity, or if there are deeper feelings between them.

On the other side of the scorecard we have the villains.  Our big baddie is Mr. Robert Mojo, one of the most powerful producers in Hollywood.  A recluse because of his looks (he’s an obese albino man who rarely even rises from his chair) he nevertheless has his finger in all sorts of activities in Los Angeles.  Besides his entertainment connection, he also knows many of the less reputable citizens of the City of Angels, and he is willing to do whatever it takes to get what he wants.  At the moment what he would like is for Wonder Man to either come work for him, or for Wonder Man to stop stealing the press from projects on which Mr. Mojo is working.  However, Simon is currently under a contract with another mysterious producer, James Madrox, and Mojo can’t touch him.  In an attempt to stop Simon, Mojo sends one of the stunt men he employs, Melvin Potter to Dr. Nightshade for the same sort of enchancement that Simon received.  Once he too has been bulked up, Mojo gives him a costume with numerous blades on it and dubs him the Gladiator.  Mojo also can rely on his assistant, who he calls Tick Tock, and who can predict the short term future, which aids Mojo in his plotting.  Finally, rounding out our cast is Arkon, an interdimensional traveller who got stuck on Earth, was found by Mojo, and was turned into a star.  It is Arkon that Mojo is concerned about Simon overshadowing, and Arkon shares that concern.

I know I just info-dumped a lot on you in those last few paragraphs.  Take a look at it, see what you think, and then I’ll discuss some of the themes and plotlines I see spinning out of the cast that I just assembled.

Arkon? Love it. I can totally see Wonder Man competing with him for the typical “action star” roles. Gladiator is a good street-level grunt. I like throwing Wasp in there as someone who is famous basically for being born into wealth. We could make some good commentary on the banality of success. And it’s a brilliant twist to have Mojo as the main bad guy (and still related to the entertainment industry). Does he have any mysterious interdimensional background or is he simply a creepy human being?

I don’t have any real issues with any of this. Seems vaguely similar in tone to my Dazzler relaunch. This gives us two titles that deviate nicely from the standard punch-a-bad-guy stuff.

Here’s one thing: What to do with Dr. Nightshade? Is she going to be killed off like Dr. Reinstein (or Erskine for the movie buffs) who invented the Super Soldier serum? Or is she going to keep up her mad experiments and churn out an endless stream of mediocre bad guys at Mojo’s command?

Oh, one more thing: Will Wonder Man’s powers change over time? Will they affect him in some unexpected way…as the result of being a guinea pig?

Those are the first things that popped into my mind.

At this point, my vision of Mojo removes all of the interdimensional trappings of the character.  Honestly, I find the Mojoverse to be a great idea for one story, which Marvel has since tapped for eleventy-billion stories.  I simply don’t think it works in the long term and I think the character is more interesting as a human.  That being said, I think we leave Mojo’s origins murky right now, so if we want to use an interdimensional background at some point, if we find a way to make that interesting and get some good stories out of it, we can do that.

I thought of Dazzler when I was doing this, and I really wanted to position Valerie Cooper as Simon’s agent.  I thought it would be a nice crossover if she repped both Simon and Dazzler.  However, she’s not so much Dazzler’s agent as a talent scout in your reboot of Dazzler, and it works to have Dollar Bill as Simon’s agent….he’s a much crazier personality and should inject the book with a lot of color.  I had thought about recasting Henry Gyrich as his agent, and thought perhaps we could take all the old government agents from the Marvel Universe (including Raymond Sikorsky, Duane Freeman and the like) and make them all entertainment figures, and then down the road we could reveal that they were actually working for the government as some part of a bizarre scheme, but then my head hurt and I realized I was needlessly complicating things.

Simon’s powers could change over time, and that’s part of why I kept what Nightshade did to him shrouded in secret.  And no, I don’t want her dead.  First of all, I like the fact that she created both Simon and his arch-enemy.  Furthermore, I think it’s interesting that we really don’t know what she did to them.  What is her agenda?  Will she create more superbeings, and if so, why?  This leads me into a discussion of all the different ways the book can work.

On the hero side, we have Simon trying to be an actor, and I’d like to see that explored.  Again, at least to start, he’s really only a hero as a means to an end.  Will he develop into a true hero?  Will he want to do less heroing if his career takes off?  Will that be an option?  If he stops heroing as much, will it hurt his career?  It’s going to be a trickly balancing act for Simon, and what happens if he fails during one of his hero missions….will it hurt him enough in the realm of public opinion to damage his career?  In a way, because he didn’t think this through enough, he’s kind of stuck being a hero, whether he wants to or not.  He can’t drop the hero part, because it will hurt his career, but if he spends too much time as a hero, that hurts his career as well.

His relationship with Bill and Fabian is pretty standard….the former will be pushing him to do more outrageous things to further his public profile, while Fabian provides a cool voice of reason.  His relationship with the Wasp should be interesting, and we’ve got some of the same questions for her that we do for Simon.  Will she develop into a true hero?  Does she actually care for Simon?  I think you can take her character in wildly disparate directions.  You could gradually mature her, perhaps morphing her into someone closer to the Wasp we see in the original Marvel Universe.  By the same token, you could go in an entirely different direction, making her more heartless and selfish.  She could even end up as a villain in the series if she and Simon have a falling out!

I also like the idea that, for this series, the hero doesn’t have a secret identity, but the bad guys do.  Gladiator wears a full helmet, and he really can’t be captured, because Mojo doesn’t want his identity discovered for fear that it could lead authorities back to him.  The same is true of Arkon….he’d like nothing better then to find Simon and kick his butt, but he has to be careful that the public doesn’t see him as a bully and certainly he doesn’t want the public to see him as a murderer, although he’d be more than willing to plant Simon six feet underground.  Are villains are always going to try to make sure they have an escape route from a fight, so the authorities can’t apprehend them.  I could even see Arkon adopting another identity in which he can fight Simon…perhaps he calls himself Thunderbolt and fights Simon that way. 

And just what does Nightshade want?  As I mentioned above, her endgame is being left up in the air, but she’s very smart and she’s a planner.  Those who only know her from a few comics where she turned Captain America into a werewolf haven’t seen what this woman can do, and our Nightshade is even more cunning.  She’s one of those comic book scientists who’s an expert in multiple fields; in her case, both genetics and robotics.  She’ll have some gadgets to protect her, and more importantly, she certainly can create more superhumans to act as her flunkies.  She’s playing both sides off against each other, but is she good enough to outwit Mojo?

And then we have another one of the Madrox clones around.  Simon signed a contract with Madrox thinking it would be his ticket to stardom, but neither Simon nor Bill read the contract closely enough (not thinking things through is a personality trait we’ll see a lot with Simon.  He’s not stupid, but he’s not much of a planner.).  Now Simon can’t work directly with Mojo, but Madrox also isn’t giving Simon much more than the bit parts he was landing before signing.  Madrox obviously has a plan, but Simon has trouble getting an appointment with him and doesn’t understand why the contract is structured this way.

Overall, I think there’s a ton of different directions we could take this book, and I think it’s different enough to stand out amongst a crowd of 38 other titles.  It has it’s own feel and identity.  Anything else to add or questions to throw my way? 

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NewMU: Thor

Jan-25-12

“It’s bad enough that he just had to fight off the brutal Wendigo for the dinner he trapped in the Yukon frontier, but now Thor’s home planet of Asgard is being invaded by alien hordes and he’s being called back to help by his father Odin…or at least someone who looks like Odin.”

I’m going to be honest right up front and say that I always felt that Thor was a bit of an anomaly in the Marvel Universe. He’s considered one of the “Big Three” and has rightfully taken a position of power because of his station and his abilities. However, it has always rubbed me the wrong way that he is considered a “god” and yet fights (and bleeds) alongside common heroes. He has what I like to call the Superman Complex, where he’s been made (or at least assumed so) to be so powerful that you could never imagine him ever actually losing. After years of early Marvel reading, I just kind of accepted Thor as a side effect of superheroes and learned to ignore him.

Then Walt Simonson had an amazing run on the title from 1983-1987 (and also the 1986 Balder miniseries) that dropped Thor into his homeland among his family and natural enemies. I finally had an avenue to view Thor in context. He was just a guy with family problems who was doing his best to not become a frog. I made peace with Thor and took him at face value.

But then, Marvel took things even further. When The Ultimates first launched, they positioned Thor as a delusional hippie. Was he really a god or did he just think he was? And THEN, they went even further in the live-action movie: Thor was actually an alien from the planet Asgard. Whaaaaaaa??????? My mind was blown. Looking at it now, though, it all makes sense. Our NewMU Thor is a mix of all of these things.

I want to embrace the true Viking lore of Thor and I think that can be done quite easily. Think of the word “Thor” as a title instead of a name. The vikings of the early 8th century had a pantheon of which Thor was a member. Most religions are based on some sort of visions or witnessing of supernatural accomplishments. So, let’s say that “Thor” and his other Norse “gods” were simply aliens that had landed on Earth hundreds of years ago. The vikings saw them doing things they couldn’t have possibly done themselves, maybe they interacted at some point and earned the worship of the vikings. I’d like to think that even the most hearty alien wouldn’t live forever. So, over the course of time, one “Thor” was replaced with another “Thor” and the worship continued. Legends were born. Thor was accepted as a part of Earth history.

The current Thor is a lazy drunk who lives in a remote area of Alaska along the Canadian border. He hunts and fishes and drinks with the locals, but no one treats him like any kind of god or even knows that he’s from another planet. He’s just a vaguely Scandinavian dude with low morals and a high tolerance.

There’s a female scientist who just came to town to study the correlation between the Northern Lights and electromagnetic waves that could affect space travel. Her name, obviously, is Jane Foster. Thor takes a shine to her but is horribly awkward when sober and completely offensive when drunk. This makes courting difficult.

Adding to this, there’s the whole problem with shape-shifting Skrulls invading Asgard under the direction of the nigh-omnipotent Thanos. And it doesn’t help that Thor’s half-brother Loki has struck some sort of tenuous deal with the Skrulls to become “governor” of the newly enslaved Asgard when all is said and done. What Loki doesn’t realize is that the shapeshifters have even more dubious ethics than he does and not all is what it seems.

I think the introduction of an alien species that can change shape dovetails nicely into the earthlings first learning about the true existence of the Norse “gods.” Just as we common folk are celebrating how awesome Thor and his people are, it turns out that some of them are actually disguised creeps looking to overtake our planet as well. Gives another layer of xenophobia to it all.

Thor’s powers will be explained away with scientific reasoning. His hammer is made of a metal that reacts differently to our magentic fields, allowing him to use it to “fly” or to “summon lightning.” We can even use the Superman line of varying gravity or atmospheric weight or solar radiation or whatever this month’s origin is to explain why Thor is super-strong and impervious to regular damage. I’m assuming, at some point, that the Olympian gods will be revealed as aliens as well. Hell, maybe even the Hindu or Egyptian pantheons.

That’s a lot to swallow at once. What do you think of that beginning?

I certainly have no problem with Thor as an alien, because I also have never been particularly thrilled with the “gods” of the past being brought in as part of Marvel continuity.  As much as I’ve learned to enjoy the Asgardian and Olympian pantheons in the Marvel Universe, that enjoyment comes in spite of their origins.  I have no problem with discussing religion in modern comics, but the religion discussions that the origins of these characters sparked were rarely very illuminating, and most writers tended to ignore those aspects of their character anyway. 

I absolutely love the idea that these characters aren’t immortal, and that Thor is more of a title.  I’m a huge fan of legacy heroes, and the idea that there were Thors before the current one and will be Thors after he is gone opens up a lot of storytelling possibilities.  We can now tell stories up and down the timeline, and with that one change, we’ve opened up a much richer well of storytelling than if we were discussing one immortal being.  Unfortunately, it also leaves us with a problem.  His father is named Odin?  His brother is Loki?  Are these also hereditary titles, or are we just going to assume that it’s just a coincidence that their names echo the names we know from the former Marvel Universe?  Or does the ruling family of this alien race have to adopt the names of yesteryear, since that’s how the humans knew them when they worshipped them as gods?

I do enjoy your characterization of Thor.  It can make for some interesting interactions as he begins to take his place as a hero, and as he begins to woo Jane Foster.  It gives you someplace to go, and it’s nice that he has some character weaknesses to balance out his extraordinary powers.

I like the idea that Thanos will be a shadowy villain for some time….the readers know someone is behind the Skrulls and directing their attacks, but they don’t know who.  You could keep the Skrulls center stage as villains for years before finally revealing Thanos.  For all his power, I think Thanos is at his best when he’s a plotter.  Yes, he can demolish stars, but if you look at the best Thanos appearances, they are the ones where he’s not involved in direct fighting, but instead schemes from the shadows.  And the Skrulls themselves are brilliant villains, who I think are best if played less as just another interstellar species coming in with lasers flashing, and more as sly saboteurs and spies.  They also fit better in that respect as allies with Loki. 

There’s a lot of potential here, no doubt about that, but there are still some rough spots to smooth over.

The name thing is just how Earth deals with them. I guess over certain generations of Asgardians, it wouldn’t make as much sense but it’s for identification purposes. After hundreds of years, none of the original “relationships” should be valid…the Odin of now couldn’t possibly still be the Thor of today’s father and so on…way too incestuous to explain. But the positions hold true to earthfolk. Thor is the God of Thunder. Loki is the God of Mischief. Blahblahblah.

My favorite part of using the Skrulls, aside from how well they match up with a shadowy, scheming Loki (and an even shadowier, schemier – are those words? – Thanos), is how weirdly a shapeshifting race parallels our concept that the self-duplicating Madrox is somehow at the heart of the NewMU. We’re beginning to weave a sort of background continuity into our titles.

Plus, the Skrulls can pose as friends or allies of Thor and undermine his attempts to prove his true origins to the people of earth. He could just be brushed off as “that crazy drunk who lives in the woods.”

I agree with you on the Skrulls, but first we have to talk about the characters again.  I’m sorry, but I’m not entirely sure your first paragraph in this section actually makes any sense, and I’ve read it three times.  I’m beginning to believe you may be a politican, as I’m not sure you actually said anything in those sentences, but it does sound good if you don’t really stop to think about it.  Let me explain what I think you’re insinuating, and you can let me know if I’m right.  Are you saying that everyone’s names are passed down throughout the ages?  Well, perhaps not everyone’s names….there were certainly plenty of these Asgardians who weren’t named deities, so their names aren’t important.  However, are you saying that when an Odin dies, a new Odin must take his place?  That Odin may not be the current Thor’s father, but he gets “promoted” to the Odin position?  That means that none of the traditional people we associate with the names are going to be who we might suspect.  For example, couldn’t Odin be a woman, if Odin is the leader of this group, and a woman is put (or seizes) that position?  Besides changing the gender of these positions, could we also change the ages and the descriptions?  For example, Odin is often seen as a robust and stout man, but couldn’t he also be very old and infirm?  Could he be younger than Thor?  We could play these same games with Loki or with any other member of this alien tribe that you eventually introduce. 

The other interesting potential of this situation, if what I interpreted above is true, is that we could also shake up the nemesis for Thor.  This Loki could actually be quite a decent bloke, and may not actually be the one who is betraying the Asgardians to the Skrulls.  However, since the Loki of old was a trickster and so many Lokis through the ages have also been tricksters, when things begin to go wrong no one believes this one’s claims of innocence.  The readers eventually find out that the real traitor is Heimdall, who happens to be a right jerk.  When he’s found out, he kills the current Loki and takes that name, saying that he’s tired of watching the name of Loki being dragged through the, uh, meadow (what’s the opposite of dragging a name through the mud?) and is going to show these simpletons what true mischief is!  Then someone new would have to be named the new Heimdall, perhaps someone who now has a special grudge against the new Loki, as the name of Heimdall is now feared and hated by the Asgardians (and really, who would want to be the new Heimdall after the disgrace on the name?  For that reason, it would take a special person to ever want to be named a Loki).

Have I gone way far afield of where you see us?

Yeah…wow. That went way further than I was envisioning it. I do like the idea that the current Loki is actually a nice guy, trying to spit-shine a name that has already been spat upon enough over the ages. But bringing Heimdall into it and then having him try to usurp the “Loki” title is just downright confusing.

I was merely thinking that the names earthlings ascribe to them don’t necessarily mean the same to them on Asgard. Or maybe, over the generations, each title is now a “house” of royalty. So the original Odin was Thor’s father and Loki’s stepfather, but the current holders of those names are only distant cousins at best. It just so happens that the Odins have always been the rulers of Asgard while the Balders, Thors, Lokis and such were just members of the royal court (and vague relations).

Therefore, much like Prince Charles has a recognized but rarely used last name of Windsor (from the House of Windsor), maybe Thor is just this guy’s surname. Let’s call him Elmer Thor. (KIDDING). Is that easier?

And, really, does it matter? On Earth, people will call him Thor. His existence will make people think the Norse gods are real. He’ll try to explain he’s an alien, but other nefarious aliens will say he’s crazy in order to mask their existence. It’s all very deep.

The House of Thor?  You’ve already created Marvel’s next big crossover.  Call Bendis!

But yes, I think it does matter.  Personally, I like my idea, as it gives us a lot of opportunity to really create a unique and fleshed out alien race.  These “titles” are millennia old and quite important to their culture.  Odin is their leader, Thor their protector, Heimdall their guardian, Loki their planner, Tyr their token handicapped guy, etc.  How exactly does this culture go about choosing someone to fill one of these positions when the previous one dies?  Do people vie for these positions?  Are they coveted?  And who would want to be Loki? 

I also think you are way off-base saying my suggested story with a bad Heimdall taking over for a repentent Loki would be confusing.  I have more faith in our readers than that.  And if we learned anything from the Claremont X-Men, it’s that convoluted plots do not preclude a large audience.  However, I recognize a losing fight when I see one, so I’ll back-off.  The names we now know as their “god” names are actually ancient surnames, and someone like Odin is probably Odin XXVII, much like the Tudor dynasty has plenty of Henrys. 

Of course, now I’ve dragged us off course so often that I’ve forgotten where we are.  What were we discussing again?  Skrulls are bad?  Thanos too?  I agree with you on all those points.  Did you have more story beats I can ignore in favor of dragging us down into minutia?

Eh. Your idea still seems too complicated to me. But this back-and-forth is boring me now. How about this? What if we go with my idea for the first year or two of the book and then, in typical comic book fashion, a new writer will come in and retcon everything to your concept? Problem solved.

I really don’t think the specifics of the titles would mean all that much to anyone. They’re all just people on the planet of Asgard. It’s not until they get to Earth that they become “superpowered.” We’re the ones who raise them up to god level, mostly based on the exaggerations of some very primitive minds.

And, reading back over those last two paragraphs, I feel really nerdy.

So yeah. Thor is a lazy drunk guy with a fancy hammer. Thanos is a bad guy who commands an army of shape-changers. Big viking-like fights. Not too much over-the-top dialogue sprinkled with “thous” and “verilys.” Everyone is happy.

You want to talk about the NewMU Avengers yet?


The NewMU so far…

Jan-06-12

Hey…it’s our 100th post! And it only took us 3 years and 9 months of constant non-attention to get that far! I can hear all of you clapping out there. Nothing more deafening than silence.

All sarcastic celebrations aside, I wanted to take this time to sum up what we’ve proposed so far and see if there’s any way to integrate our past “revamp” ideas into our NewMU. We still have another 36 titles to go, but this may speed things along and save us some redundant repeating.

So far, we’ve set the Fantastic Four on a path to science adventure…turned Dazzler into a teenage pop star…and fused the angst of the X-Men with the politics of The Authority to bring you The Ultimates. However, some of the other titles we have slated for the NewMU — including Hawkeye, Dr. Strange, Moon Knight, The Defenders, Namor and Nightstalkers — were already given the treatment by our magical maneuvering. The problem is, we’re kind of dedicated to making sure we don’t repeat the use of secondary characters where they don’t fit, not to mention that some of our plotlines could contradict. So, here’s a quick summation of what we foisted upon our curious readers in the past…

Nightstalkers – Dominic Fortune is hired by Frank Drake to investigate some supernatural goings-on. He runs into Brother Voodoo in Charleston, South Carolina and finds out that the mystic man has been having dreams about him. They learn that something is afoot with the Darkhold and Morgan Le Fay is involved. In fact, Morgan is using Tigra as a present-time conduit for her foul dealings. The team rescues Tigra and continues tracking the Darkhold for Drake, unaware of what’s happening behind the scenes.

Moon Knight – Go heavy on the multiple personality angle. Introduce supporting cast for each persona. Relocate to Chicago. Run afoul of crazy Egyptian cultists worshipping Anubis, not to mention a new Serpent Society and a reimagined Killer Shrike.

Hawkeye – Moves to LA where he becomes spokesman for Damage Control West, but he’s also doing espionage work for Nick Fury with the help of Black Widow. He hires Pym as a technical consultant. Starts a feud with Taskmaster and maybe the Night Shift or even our revamped Circus of Crime.

Dr. Strange – Takes Scarlet Witch as his apprentice and falls into a love triangle with her and Night Nurse. He relocates to Boston and writes a self-help book or anti-magic book or romance novel…basically, he writes SOMETHING and goes on a book tour. Befriends a research librarian and an FBI profiler. Runs afoul of Cyrus Black, a more sinister Hangman and a new steampunk-based villain. Book also delves into the deep roots of magic in the NewMU.

Namor – Atlantis is an entire country, not just one big city. Each region is run by a magistrate and all magistrates sit on the Council of Argos with Namor as their king. The economy of Atlantis runs on selling fishing and mining rights and coordinating trade routes, but certain sectors thrive on salvage work and piracy. The island-state of Madripoor is involved as well as Dr. Doom in his bid to build a navy. Atlanteans live in coral caves and shipwrecks, their lands lit by phosphorescent algae. They have a UN ambassador but lack the high technology of the past.

Defenders – Team of Hellstorm, Cat, Gargoyle, Black Knight, Dr. Druid and Cloak and Dagger are brought together to “defend” reality from supernatural threats and to investigate the dark corners of the NewMU. They face off against The Zodiac and wreslte with the Darkhold.

Oh, and I also reread our revamp of the Frightful Four (Absorbing Man, Titania, Trapster and Mysterio working for The Wizard) and think that the idea of a competitive foe would work well in our NewMU FF. Food for thought. We also wrote up retellings of Iron Man and Spider-Man early on in the blog’s life, but those weren’t nearly as well fleshed out as these other six.

It’s now up to John to point out the obvious in these previous revamps and tell me everything that’s wrong with trying to integrate them into the NewMU.

GO!

There are some solid ideas here, and I think we can use them as a starting point for some of the titles we want to launch.  I’m going to touch on these titles a few at a time, so we constantly know about which one we’re arguing.

Let’s start with Nightstalkers.  If you haven’t read our first take on this group, please do so.  It’s in the archives and what I say is going to be drawing heavily on it.  This revamp is likely to make it to a conclusion with the least revisions.  Much of what we said at the time, as far as the concept being sound and wanting to do more magic or horror stories, still stands.  The characters we had chosen, Drake, Voodoo, Tigra and Fortune are all available, and I had no plans to use them in anything else.  Ditto for our main villain, Morgan Le Fay.  However, we were basing this series on a lot of past continuity, continuity which doesn’t exist in the NewMU, so there are going to have to be changes made.

The first and most obvious is Frank Drake.  In our version, he was crippled and broken because of his time with the previous Nightstalkers.  I still like that idea, and I think we just need to adjust it a little bit.  I don’t think there was a previous incarnation of this team so his injuries did not come from that team’s demise.  I think that he was broken and beaten during a previous encounter, perhaps with our main villain, Morgan.  We can still touch on him being a distant relative to Dracula, but perhaps, instead of that turning him into a vampire hunter, it just ignited his interest in the occult and the supernatural.  Through his studies in that area he learned of Morgan and the Darkhold, and while trying to stop her from getting her hands on it, he was badly injured and disfigured.  It gives our team one more tie to Morgan and also means that there may be some interesting team dynamics between Drake and Tigra.

Obviously, Tigra in this world can have her origin considerably streamlined and she won’t have to deal with the stupid pregnancy she was coping with when we did our first reimagining.  I think we take the opportunity to completely remove any type of scientific origin for her powers, and her time wearing a cat-suit, to better fit her in with the tone of the book.  In the new MU, Greer Nelson was also a student of the occult, and she found an incantation that enabled her to summon one of the mystical cat people.  As I mentioned in the original post, these Cat People are not the relatively cheery and bright ones drawn by Al Milgrom in the West Coast Avengers….they are much more cat than people, all dark colors and fanged maws.  When Greer first summons them, she doesn’t realize just how nasty they can be, and is whisked away to their dimension, intended for a sacrifice.  However, once there she quickly forges a bond with Balkatar, one of the preeminent Cat People, who convinced their leaders that she should not be sacrificed, but should be returned to Earth as their emissary.  The leaders agreed, but changed her into the werewoman Tigra to ensure her loyalty.  Once she returned to Earth, she used her newfound abilities to help people, but I think we also need to borrow a little from Catwoman here and make her something of a champion of cats.  It’s not her biggest priority, but she will aid them if she knows they are in danger (like if they’re being mistreated, or if a large cat escapes from a zoo she might be the one to recapture the cat).  Anyway, while doing some heroing a few years ago she crossed paths with Morgan, which is when Morgan bonds to her, as we mentioned in our original revamp.  We could even later reveal that Morgan is the one who manipulated Greer into summoning the Cat People in the first place, and that Morgan helped convince the leaders of that race to return Greer to Earth, just so she could have an agent on that world (and again, this could cause some nice friction between Drake and Tigra down the road).

Our other three characters (Fortune, Voodoo and Morgan) don’t require much change.  All three of them can basically maintain their origins, and we just drop most of their time interacting with superheroes.  Honestly, Voodoo never did much of that anyway until recently, so he’s easy, and Fortune never really did either.  His son can still have died following in his father’s footsteps…we just need to take Iron Man out of that tale (and honestly, Iron Man was barely in it, even though it happened in his title).  Morgan is much the same….we remove her tussles in the present day with the Avengers and Spider-Woman and she’s good to go.

Do you agree with what I changed?  Any thoughts?

The fact that Morgan LeFay is an actual figure from literary legend means that we don’t have to mess with her much at all, like you said. We can just start fresh. Same thing with Tigra. And, on the plus side, we don’t have to worry about the goofy, outdated costumes for Fortune or Voodoo either. I agree that the bones and most of the meat still hold true for this revamp. Probably one of my favorite things we ever conceived.

However, if there were ever an opportunity to present Dracula to the NewMU, this is clearly it. We can introduce Frank Drake as a man who is scarred and broken and slowly reveal that it was because of past struggles with vampires. We can keep a lot of the history shrouded too so the readers are never sure of his intentions.

I like Fortune’s past continuity, except for the superhero involvement you pointed out, and we can always just present it all in a simpler form. Brother Voodoo has some strange continuity that can be jettisoned too. Heck, the NewMU might make this Nightstalkers launch even easier than previously thought.

Now what about Moon Knight? I personally think this one is now easier too. Instead of having to go back and re-explain the multiple personality thing, we can just introduce this character and all his quirks and facets at once. No preconceptions. And instead of “revamping” villains, we just create them as we described. But that origin needs some work…

I agree with you that the villains we picked for Moon Knight and our basic concept of the hero work fine.  But you’d like to find a different way to get him to Khonshu?  We need to keep the Egyptian god for two reasons.  First, his powers depend on the phases of the moon, and one of his main villains is a cult of Khonshu.  I don’t want to jettison those ideas.  Plus, we have Moon Knight slotted into the new MU as a more magical book, and while he won’t be casting spells, I think he does skirt that line between the supernatural and the scientific.

The first thing we can do to help his origin is remove Bushman from it.  We had both agreed in the original post that Bushman is a waste of ink and since we aren’t including the character in Moon Knight’s current adventures, it’s a waste to have him so intimately involved in Moon Knight’s origin.  We need Moon Knight to have started out as a mercenary or else we’re not going to be able to use the Marc Spector origin….he has to have the training to do what he does as a crimefighter.  We could simply replace Bushman with Shrike in his origin, but that seems like a wasted opportunity as well.  I’m going to kick this back over to you…I did the easy thing and removed Bushman.  What else needs done to his origin?

Man, didn’t think you’d punt it THIS badly! Yes, my main problem with his origin was Bushman. With him out of the picture, we can turn Marc Spector into a bit of a jerk on his own.

Let’s say, for the sake of a quick solution, that he’s tromping around Egypt to help quell some radical Muslim uprisings. He stumbles upon a group of Egyptian scientists at an archeological dig and figures “Hey, there may be some money to be made here.” He muscles them a bit, makes some threats about stealing artifacts for the thrill, and accidentally knocks some funky obelisk over. The obelisk cracks and a spirit charges out of it and into Spector’s body. BOOM. He’s now the Fist of Khonshu whether he likes it or not. Moon Knight fixed.

Looking ahead, I think our Dr. Strange title is solid, the Namor pitch I put together actually works better without having to backtrack all of Atlantis’s history (thought Doom’s role will be diminished due to upcoming ideas), and the Hawkeye title should still be okay with the removal of Pym (since we *surprise* have plans for him elsewhere). A Damage Control title is also in the works, so that’s a quick explanation for Hawkeye.

Unfortunately, I think our Defenders idea, that I seemingly loved at some point, is now pretty awful and ruined. Agreed?

Not even close to agreed!  Well, I agree we’re done with Moon Knight (he really was an easy one), but for the rest?  Let’s start with Hawkeye.  We have to remove Hank Pym as we have other plans for him, as you teased.  I’m also not sure if we want to use Nick Fury, as I believe we have plans for him as well.  That leaves a book with only Hawkeye and the Black Widow.  I suppose we can deal with the two of them as our leads, and it makes sense.  Since we’re starting afresh, we can again go back to basics with their origins, both of which work pretty well, and we can pretend that Black Widow’s HORRIBLE 60s outfits never happened (nor Hawkeye’s late 60s horrible redesign).  We can also jettison all of the Cold War baggage of the Black Widow’s character, which is kind of nice.  And we can simply have them operating out of Los Angeles.  But do we really want him to still work for Damage Control?  Is that going to make this a sister title of the Damage Control comic?  We’ve been pretty careful in our titles not to have sister titles and to make everything stand alone.  Sure, there will be crossovers, but nothing that makes you buy multiple titles for one story or that requires a very strong sense of continuity.  I’d prefer to put Hawkeye back with Cross Technology.  So, we have a book where one lead (Hawkeye) is more of your traditional superhero, and the other lead (Black Widow) is more in the vein of your traditional spy.  They’re an item and sometimes he pulls her into his world while other times she pulls him into hers.  Does that work for you?

In a sense, yes. I forgot this was going under more of an “espionage” umbrella (we’ll detail the sub-categories of the NewMU in another post). Although, I’m not adverse to having him work in the public eye and then operate in the shadows as well. Damage Control West would be its own entity and I don’t think there’d be much crossover at all between a Hawkeye title and a regular Damage Control title. Not opposed to the Cross Technology thing either. Just saying it could go either way.

For the moment, I’d prefer to keep the titles completely distinct, so let’s go with Cross Technology.  Perhaps down the road we’d be able to move him to Damage Control without continuity issues, but I think it would be great if all the books started off feeling self contained, with the exception being any team books (like Avengers) that feature characters who have their own titles and our one character that is supposed to be seeded across a number of books (and I’ll be discussing him shortly). 

This brings us to Dr. Strange.  Our pitch for the character is pretty strong, and I certainly think we keep Night Nurse in the book.  Unfortunately, we’re now down an apprentice, since we’ve used the Scarlet Witch in Ultimates.  I’d like to keep our love triangle intact, and I also think that we need a reason for Strange to have an apprentice.  As we mentioned in the original revamp, Strange is a powerful and important figure…why would he even have an apprentice, unless there’s a darn good reason for it.  Originally we had suggested Wanda because her powers were so strong she rewrote the universe.  Now we want to find another powerful woman in the new MU who’s powers are strong enough and uncontrolled enough that she could be a threat if not properly directed.  I’m going to suggest Magik.

Illyana Rasputin is a young mutant with the ability to create portals that can transport her through time, space and dimensions.  She accidentally creates a portal that opens to the realm of Limbo, ruled by Belasco and inhabited by demons.  She is kidnapped and raised as Belasco’s apprentice.  She eventually escapes him and returns to our dimension, the new ruler of Limbo.  This is basically the same as her origin in the original Marvel Universe.  Now, in that original Marvel Universe, she had trouble maintaining the balance between her good side and her demonic side, and this probably wasn’t helped by the X-Men’s attitude, which seemed to be “Oh, she’ll figure it out eventually.”  She didn’t, which led to the Inferno crossover where demons invaded the Earth.  However, what would happen if Strange got involved?  I mean, Magik is an incredibly powerful sorceress, but she seems to use her magical abilities instinctively, without any real knowledge of what she’s doing.  If Strange brought her under his wing and trained her, he could not only help her hone her powers, but he could help her learn how to keep her demonic side at bay.  The only other major thing I’d change about her is her age…in the original she ages from about 8 to 15 years old while in Limbo.  To keep our love triangle from becoming too Lolita-ish, let’s age her from about 15 to 25 while in Limbo.  Boom.  New apprentice.

Otherwise, we had almost all brand new ideas for this title.  Morbius can still stick around as an ally and information source, and our villains were basically all new.  I should say that this way we can add Belasco to the cast of villains.  I’ve always loved Belasco, and he’d be so much better as a Strange foe than he was fighting Ka-Zar (Ka-Zar, for Kirby’s sake!).  I’d also suggest that, if we’re going to have Strange going on the road doing magic to make a living (as we suggested in our revamp) he should have a manager.  How about Madrox?  We’ll be talking more about Madrox when we discuss his book, but I think a dupe of Madrox in that role would be fun.  Otherwise, I think we’re good with him and can move to Namor.  Your thoughts?

I had totally forgotten you used Scarlet Witch in your Ultimates title. How silly of me. I always liked Magik’s look. Never understood what made her a mutant (I guess the portal thing?), but I’m glad she’s been rescued from a horrible continuity loop. Is she still a mutant in the NewMU, or just a being that was born with magical powers? That’s the only question I have.

Now, about my Namor pitch. Like I said earlier, lifting the weight of continuity off the idea makes it breathe even better. Our new Atlantis is spread out across all the oceans. Factions are ruled in a feudal system below water. Above water, everything is politics from the UN ambassador to scattered embassies. Deals are struck for shipping rights, outlying Atlantean villages turn to piracy, citizens live in shipwrecks and coral caverns. I think Doom can still play a pivotal role here. Perhaps he and Namor are an unofficial “team,” so that the two of them can cross over into each other’s titles? Or do you want to back off Doom completely (so he can shine in his own upcoming book) and give the “fellow monarch” spot to someone else from the Marvel Universe?

I would say that Magik is a mutant born with the ability to open portals.  This leaves us open to crossover with some mutant titles in the future.  It’s not that I don’t want to see books crossing over (what’s the point in a shared universe if there’s no sense of continuity between titles?) it’s just that I want them to happen organically and not right away.  It seems like it’s more fair to the creative teams and readers if each title has a chance to establish themselves before they start crossing over, and even then, I think we should keep crossovers to a more reasonable number, so they stay special and feel like a big deal.

Of course, that leads perfectly into a discussion of Namor.  You’re correct when you say that starting over with a new continuity tends to make your concept even stronger.  I still think that this is a great place for the kingdoms of the new MU to be seen and played against each other.  Doom would certainly have to be a factor, as would Black Panther, but both of these characters are slated for their own titles in the new MU, so I’d like their roles in Namor’s title to be downplayed.  They’ll be around, but not the center of attention.  We’d have to strip out (at least initially) the plot about Doom setting up ports for his new navy.  If that happens, let’s move it down the road and let it happen in Doom’s own title (or a proper crossover between the two).  If we remove Doom from the spotlight, who can we shine it upon?  I recommend the Inhumans.

I think that the Inhumans are a strong concept, but I don’t think they work as well when they try to headline a book.  I think they’re best in a supporting role, and I think this is a role that works well for them.  While Namor and Doom may make sense working together, the actual Atlantean and Inhuman races make a lot more sense as a team.  They’re all outsiders, unable to function easily in human society, so they have a strong initial bond.  Plus, if they would ever have a falling out and go to war against each other, it would be a much more interesting conflict than if Atlanteans simply fought the humans of Latveria.  Heck, you even have a perfect ambassador for the Inhumans in the person of Triton.

The villains you mention all still work well.  Some of them, like Diablo and Mole Man, were also mentioned in our Fantastic Four book, but villains can often be used in multiple titles, and neither of them were integral to the FF.  They could easily move between the two books.  I think it works. 

Sure, I have no problem with the Inhumans. It’d be nice to stick them somewhere…and honestly, looking ahead to our other titles, I don’t see much more room for them. Maybe there’s even an organic way to find a love interest for Namor out of that group. Always nice to see a marriage bring two kingdoms together.

So, this post helped us flesh out five of our pending titles (Nightstalkers, Moon Knight, Hawkeye, Dr. Strange and Namor). The only loose end left hanging is The Defenders. The group has always been near and dear to my heart. That’s why we tackled it so early on in our blog’s infancy. Unfortunately, I don’t think we had our sea legs under us yet and the revamp left a bit to be desired. I think we should start a new post for that one.