The Most Wonderful Stories of the Year

Dec-18-08

Ah, do you smell the chestnuts roasting on the open fire? Is Jack Frost nipping at your nose? Do you hear yuletide carols being sung by a choir? Are folks near you dressed up like eskimos?

If you answered yes to those questions, then it must be Christmastime in your land! Whether you celebrate Christmas or not, there’s no denying that the holiday has a tremendous importance in much of the world, especially in America. It’s become the one day of the year where most of the country shuts down, so if you’re not out there celebrating Christmas, you’re probably pretty bored on December 25th. It’s also hard to avoid the decorations, the songs, and the Christmas episodes which air in so many television series. Comics, never an industry to pass up a trend, has also published Christmas stories, dating all the way back to Christmases in the Golden Age of Comics.

Yes, there’s Superman, trying to help Santa by shoving him down the chimney. It seems that, if Superman is successful, he’s likely to destroy this poor family’s chimney. Perhaps Santa’s bringing them a new Hydro-Thermal heating unit, so they don’t need that chimney anymore. I’m also thinking that Santa may end up with some broken bones. But, the point is, that Christmas has been showing up in comics since the medium was invented. Look, even that current comics curmudgeon Batman had the Christmas spirit back then!

Some readers may be confused by this cover, and the odd drawing of Batman’s face. What he’s doing is smiling. I know. I’ve never seen it before either. Apparently he’s amused by making the old man and the little kid lug around all those toys, while he gets to mosey along, completely unencumbered. And people said Superman was a dick.

Throughout the Golden Age and some of the Silver Age of comics, it wasn’t unusual to find at least one Christmas story in the titles of your favorite heroes during the holiday season. After all, many of these books had more than one story an issue, and continuity wasn’t very well maintained. However, when Marvel started tracking continuity in their comics during the 1960s, it became more difficult to do Christmas stories on a regular basis. After all, a year’s worth of comic stories might only take 2-3 weeks for the hero featured within them, if that long. If Marvel started printing Christmas stories every December, it would seem like their heroes were celebrating Christmas every month! DC soon encountered the same problem when they began to track continuity more closely. However, both companies realized that there was an audience for holiday stories, and if they couldn’t tell them in the regular books (which they would still do, just not that often), they’d publish special books just for that purpose. That is indeed what they did, and both have published Holiday Specials with some regularity ever since.

So, over the years, both companies have published a wide array of Christmas stories. Many of them have been quite good, and some have come from some unusual sources. In 1980, before he became the well known writer and artist that he is today, Frank Miller wrote and drew a Batman Christmas story for that year’s DC Christmas special. It’s a very short tale (as most of the Christmas tales were) and was entitled “Wanted: Santa Claus-Dead or Alive!” Sadly, while not a bad story, this one’s not nearly as exciting as the name suggested it might be. It mostly focuses on a department store Santa who has a checkered past and wants to go straight, but gets pulled into a heist on Christmas Eve. The story has a happy ending (as most Christmas tales do) and even includes the tease of a Christmas miracle. It’s nice to read it, just to see a time when Batman was portrayed as somewhat grim, but not a total psycho. It’s almost impossible to reconcile this portrayal of Batman with Miller’s later work on the character though.

Miller was obviously a fan of drawing people in Santa outfits, since he went back to that well in Daredevil, during his “Born Again” storyline. In that story, Turk, a minor punk that Miller had created for his run on the book, steals a Santa suit, hoping to get some money from strangers who would think he was collecting for charity. When an insane Matt Murdock sees this, he confronts Turk, only to be knifed by the punk and almost killed. Ah, now that’s the Frank Miller we all know and love!

The list of holiday stories is long and varied. Have any of them stayed in your memory?

Short answer? No. Not a single one. I mean, I have vague memories of Christmas-themed things, but I can’t place any of them or give specific details. I do know that this book is mixed in among my myriad longboxes:

It was an oversized issue that had a bunch of very short stories in it, some reprints of older material, lists of holiday stories from Marvel’s early days and even a page of Christmas carols rewritten with X-men-based lyrics. Exciting, no? There was a tale about Punisher redistributing drug money to the needy. Thor fighting some trolls while his dad lied about being Santa. And Captain Ultra (WTF?) fighting off Plantman in order to save everyone’s Christmas trees. LAME.


And I can’t believe that John didn’t mention the GLX-Mas Special that came out a few years ago and featured the Great Lakes Avengers a presented by Dan Slott. I know John is a big fan of the GLA. Sadly, there wasn’t anything aobut this comic that really stood out as “memorable” or even “good.” Wait, I take that back. MODOK makes an appearance. That’s always memorable (but not always good).

I know there are some others that I’m forgetting. Comics have a way of trying to drill home those “true meaning of the holiday” messages as often as they can. I’m sure there’s a Spider-Man story about helping out a little kid in a hospital or something about the Justice League helping an orphanage fight the evil utility man who keeps turning off their heat. And I know for a fact that there have been about four dozen modern comic interpretations of Dickens’ Christmas Carol. Bah Humbug, J. Jonah Jameson!

I’d also be remiss if I didn’t mention the Tick’s Big Yule Log Special. It’s a glorious flip book. One side features a story where Tick and Arthur are hired to play mall Santas and get caught up in an evil elf’s revenge plot. The other side of the book shows us how Arthur tries to teach the Tick the true meaning of Hanukkah. Brings a tear to my eye every time.

Of course, my favorite bit of holiday comics lore has no tie to the season or really any particular day for that matter. It’s something that has been around for decades and still shines as one of the greatest catchphrases in modern pop culture: Luke Cage’s “Sweet Christmas!” exclamation.

Sweet Christmas, indeed.


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John and Jason’s Agreed Upon 20 Things Every Superhero Comic Collection Needs

Oct-15-08

We promise to stop milking this idea and move on after this post, but now that we’ve both given our picks for the 20 things every superhero comic collection needs (which are both quite good, and any items on there are worth your time) we thought we’d bring it all together for one final post, with things we both agree on. Here you go:

1. Starman: I won’t continue to belabor this. It’s great. DC is releasing it in new omnibus editions, collecting the entire run and a few of the miniseries that James Robinson wrote which tied into the main story. The first volume is available now and the second is coming in early 2009. Or, if you prefer, track down the original issues; for the first few years James Robinson answered the letters pages personally, and encouraged people to discuss issues beyond the comics, particularly collecting. Some letters pages didn’t deal with comics at all, yet they were all interesting, and it gave a reader the sense of community that is lacking in many comics today. One more reason these comics were so unique.

2. Giffen and DeMatteis’ Justice League: Again, all I’ll do is encourage you to check out the new hardcover collections DC is printing of this series, starting at the first issue. The first two volumes are available now, and more are sure to come.

3. The Authority: These are also available in trade paperbacks. I highly recommend just the first 12 issues by Warren Ellis and Bryan Hitch, which were at one time collected into one giant hardcover, although I don’t know if it’s still in print.

4. Invincible by Robert Kirkman: Possibly the best young hero comic being published today, and one of the best superhero comics being published overall. If you’ve never read it, dive in without reading about them on the internet, as there are surprises in store. Image collects these in trades regularly, and you can also snag an annual hardcover Ultimate collection, which contains a full 12 issues. Great stuff.

5. Squadron Supreme by Mark Gruenwald: Perhaps his greatest written work, and certainly a series that paved the way for a lot of future investigations into what people with the powers of demigods might do with those powers, like the Authority. This has been collected into a trade paperback (the first printing even had some of Gruenwald’s ashes mixed into the ink) and seems to still be in print. DC is a lot better about keeping their collected editions in print than Marvel is, so if you’re interested in anything Marvel published on our list, grab it in trade now rather than later.

6. “Under Siege” in The Avengers by Roger Stern and John Buscema: This is an example of something that was collected in a trade, but I believe that trade is now out of print. However, the back issues aren’t expensive (look for #270, 271, 273-277) and you should be able to track them down without much trouble.

7. Frank Miller’s Daredevil: Marvel has quite a few of these issues collected in trade, and you should have no trouble finding them either.

8. Mark Waid’s Flash: This one hasn’t been collected, except for a few trades which appear to be out of print (so much for DC being better at keeping things in print than Marvel, although honestly, in general, they are). Waid had a very long run on this book (including some beautiful issues pencilled by Mike Wieringo), which lasted on and off from #80 of the 2nd series through #129.

9. Ben Edlund’s The Tick: I believe that the trades for his issues are out of print, but a little quick internet searching showed some available second hand, and pretty cheap. Actual back issues can be hard to find and tend to be more expensive, so securing old trades may be your best bet. They’re worth the trouble.

10. Damage Control: Sadly, this has never been collected in trade paperback, one of life’s great injustices. I’d recommend searching for back issues though, which shouldn’t be expensive. The first 4-issue miniseries from 1989 is better than the later “Acts of Vengeance” tie-in mini or the final 1991 mini.

11. Thunderbolts: The first few issues have been collected in a trade, but most trades focus on the later issues. Those aren’t bad, but they don’t break ground the way the early issues did, where you never knew where the series was going from issue to issue.

12. Grant Morrison’s Animal Man: There are three trades available which collect his entire run on the series, well worth their price.

13. The Claremont/Byrne issues of Uncanny X-Men: Marvel has published these in their beautiful Masterworks line, although those may be out of print. Original issues may be pricey, but I’m sure there are trades collecting, at the very least, their Dark Phoenix Saga.

14. Madrox Limited Series by Peter David: We decided to include this, rather than X-Factor because it clearly shows the potential that Peter David found in the Madrox character, potential which seems to have eluded every other writer to handle the character for decades before this series was printed.

15. Steve Ditko’s Dr. Strange: This could be the hardest thing on the list to snag. His issues were printed in Strange Tales and have only been collected, to the best of my knowledge, in the Marvel Masterworks line. Still, they are gorgeous and worth having.

16. Jeph Loeb and Tim Sale’s Batman work: DC has all of these issues collected in some beautiful trades.

17. Kurt Busiek and Alex Ross’ Marvels: Wait a minute! This wasn’t on the list before! Yes, it wasn’t, but Jason preferred this to Astro City and I was more than willing to concede. In many ways, the series are similar, with this also approaching the superhero through the eyes of ordinary humans. This was Alex Ross’ first mainstream work, and for those who think him overexposed now, I ask you to try and imagine what it was like when this series was first released. I remember seeing his art for the first time, and being completely blown away; if the Marvel superheroes existed in the real world, this must be what they would look like, I thought! It’s a great story too; it was collected in a trade, which looks like it may still be available certain places.

18. Official Handbook of the Marvel Universe/DC’s Who’s Who: I don’t believe DC has kept their handbook in print, but you can almost always find some version of Marvel’s available for purchase. The new hardcover editions have changed the format quite a bit, but they’re still the best way to educate yourself on newer and less-known characters. Marvel has also released the original series in their Essential format…but the black & white presentation steals a little of the glory from the pages.

19. Peter David and Todd Nauck’s Young Justice: Jason still doesn’t agree, but I’m adding it. Sadly, DC refuses to reprint most of this series, but the back issues are cheap. Find them. You won’t regret it.

20. Darwyn Cooke’s New Frontier: John can’t see the simple sophistication of this tale, but I still hold it high as an example of celebrating comics’ past while adding a modern touch. If you can afford the Absolute Edition, definitely pick it up. The added sketches and commentary are enlightening.

There you have it! Those 20 things should keep you busy reading for some time, and when you’re through, you should either appreciate superhero comics in a new light. Stop back here and tell us how right we were or start flaming us for stupid picks. We welcome either response (but prefer the former).


John’s 20 Things Every Super-Hero Comic Collection Needs

Oct-14-08

You’ll find that my list, as opposed to Jason’s, tends to hit more specific issues than Jason’s did. It’s also, of course, informed by my personal preferences. There are plenty of important comics that I simply didn’t include because I’m trying to find the comics that people will enjoy reading, and will still show the comics medium at its best and show everything of which the medium is capable. Before I get started, I want to mention that there are four things on my list (and one thing on my list of “Honorable Mentions”) that are also on Jason’s list. To avoid repetition, I’m going to mention them now, but instead of including them below, I’m going to bump some of my “Honorable Mentions” up to my main list. It may be cheating, but there are so many cool things out there that I want the opportunity to list them all (and I still won’t have room)!

So, Jason and I agree on Starman, James Robinson’s series, a true wonder of comics. The best superhero series of the modern age, this series may be unique in that it ran for 80 issues, and was only ever written by Robinson. The plotting is dense and well planned; things in the first issues pay off in the final issues. The characters sound like real people, and they grow and change as the series progresses. This is what superhero comics should be, and honestly, you could read these issues, never read another comic again, and be happy.

We also agree on Keith Giffen and J.M. DeMatteis’ Justice League run, which showed that you could be funny and still make good comics. This was particularly groundbreaking, coming out in the late 80s, when Grim ‘N Gritty was the order of the day. We also both feel that Warren Ellis and Bryan Hitch’s Authority is worth checking out, for it’s ability to show superheroes as they might act in the real world, and for it’s groundbreaking “widescreen” storytelling. We believe that one of the first series to do that was Mark Gruenwald’s Squadron Supreme, which wasn’t as adult as Authority, but first threw out some of the ethical questions that superheroes must grapple with. Finally, we both direct your attention to Robert Kirkman’s Invincible, a fine example of the quality superheroes you can find if you wander outside of the Big Two.

What about my own picks? Read on….

1. Any comics from Alan Moore’s ABC line (except Promethea): I’m sure a lot of people think us crazy for listing so few Alan Moore comics on our lists. I’m a big fan of his work, and much of it can be recommended, but it’s been recommended elsewhere, and if you’re a fan of comics, you’re going to have read Watchmen, V for Vendetta, From Hell, Swamp Thing or any of his other titles. The ABC line is important because it gave Alan Moore the chance to do lighter, brighter (but no less interesting) fare. I would highly recommend Top 10, as it’s my favorite from this line, but Tomorrow Stories is also an excellent choice, as it highlights how differently Moore can write for different artists. Give one of comic’s greatest writers a chance to show you how well he can write any genre.

2. Any Sergio Aragones/Mark Evanier Collaboration: Jason mentioned their comic Groo in his last pick, and it is a great one. However, it’s not superheroes. On the plus side, these two have done superheroes, in specials where they Destroyed DC and Massacred Marvel. They also did an interesting series for DC called Fanboy, where the titular character became intimately involved with the comics he loved so much. They’re work together is funny, and more importantly smart, and even better, it often has a great message, which they communicate without beating you over the head.

3. Roger Stern’s “Under Siege” story in The Avengers: Being the huge Avengers (and Roger Stern) fan that he is, I was amazed that this didn’t make Jason’s list. These issues, which chronicle the Masters of Evil invading and occupying Avengers Mansion, are some great superhero comics. They may not be the modern inspiration that Starman is, but they clearly show that, in the world of superhero corporate comics, you can still do great stories. The follow up to these issues, in which the Avengers must go to fight the Gods of Olympus, are just as strong. I should mention that John Buscema’s art in all of these issues is superb and helps to make them the classics that they are.

4. Kurt Busiek’s and George Perez’s “Ultron Unleashed” story in The Avengers: Normally, I wouldn’t include two Avengers stories in a list like this. I also tried to find stories that showcased different aspects of the superhero genre. This story is, like “Under Siege”, just a really great superhero comic. However, it is so great, that I couldn’t choose between it and the one above. These issues pit an Avengers team consisting of the classics (Captain America, Iron Man and Thor) with Black Panther and the newcomer Firestar, as they battle an army of Ultrons to protect our world. The panel where the tired and battered heroes finally reach the main Ultron robot, hurt but not broken, is one of the most powerful superhero panels I’ve even seen.

5. Frank MIller’s Batman: Year One: I agree with Jason that Dark Knight Returns simply no longer holds up. However, I believe that Year One does, and it’s my pick for the best Frank Miller work ever. Somehow, in the space of four issues, Miller was able to distill Batman down into his very basics, giving us a fresh and believable tale of how one man could begin the campaign that would make him an icon. You could read this story and never read another Batman tale, and know everything important about the character.

6. Thunderbolts #1: Another Kurt Busiek story (this one pencilled by the always reliable Mark Bagley). If you read this comic in a vacuum, it’s inclusion on my list may make no sense. However, if you had read it when it was first published, the mystery may vanish. Today, it’s impossible, it seems, for comics to be published without fans knowing every detail of the issue; who will die, who will return from the dead, who will be unmasked. The Thunderbolts had been teased for a few months as a new team of heroes, and while some subtle hints had been dropped that there was more going on with them then was apparent, the reveal at the end of the first issue was amazing. It also led into an incredible run which took the superhero concept and turned it on its ear, examining villains trying to become heroes.

7. John Byrne’s She-Hulk: There are a lot of great comics that John Byrne has created, but like Alan Moore, if you’re a fan than you’ve already heard of his incredible work on Alpha Flight or Next Men or Fantastic Four. I  recommend his work on She-Hulk because it again showcases a well known creator doing something different. Byrne’s She-Hulk was again, a very amusing book, although Byrne went much farther over the line than any of the other amusing books on my list. She-Hulk regularly broke the Fourth Wall, chatting with her readers; villains took breaks between their scenes. It was glorious fun, and it is a shame Byrne’s time on the book was so truncated, as no subsequent writer could pull it off as effortlessly.

8. God Loves, Man Kills: If you want a superhero comic collection, there has to be an X-Men comic in it, right? Jason recommended the Claremont/Byrne issues, and they’re wonderful. However, this graphic novel is my favorite. Written by Chris Claremont, and drawn by Brent Anderson, it details the crusade of a religious zealot to stamp out mutants. Claremont is someone who I often criticize for his stylistic writing style, but they’re not in evidence here. Like Year One, you can read this comic, and know everything important about the X-Men.

9. Mark Waid’s Flash: Mark Waid wrote The Flash for years, sometimes alone and sometimes in partnership with Brian Augustyn. Their issues introduced Impulse, explained the Speed Force, and pitted Wally West against innumerable villains. However, that’s not why I chose these issues. I chose these issues because they are the best example of a superhero story that is, in reality, a love story. Sure, there were fights and plots and worlds to save during these issues, but the heart of these stories was the love between Wally West and Linda Park. Everything else was just background noise, easily overwhelmed by the love these two shared. While most heroes have love interests, I’ve rarely seen a romance as real as this one.

10. Ben Edlund’s The Tick: Jason mentioned this when he mentioned comics from other companies, but I singled this out and included it because it is demonstrably a superhero comic. It just happens to contain a man-eating cow and ninjas. It may seem like I keep coming back to funnier examples of superheroes, but this one is the most amusing I’ve ever read. Unlike the others, which mostly tried to ground their adventures in the reality of their comic book universes, the Tick isn’t grounded at all (he lives in a world where villains have chairs for heads). I recommend the original issues that Edlund wrote and drew himself; I laugh until I cry even after multiple re-readings.

11. The Batman Adventures: Comics heroes have visited different media since the radio shows based on Superman. Some of those visits have been good, others have been bad. When the animated Batman show appeared, it was so good, that it gave something back to the medium that birthed it’s hero: this series of comics, presenting some of the best Batman stories ever published. These stories, beautifully illustrated by Mike Parobeck, show how you can tell an excellent story by stripping out the extraneous (and unnecessary) and focus on the important. Some people found the series too plain, but those people missed the boat. They were elegant in their simplicity, and the well written and drawn stories were anything but child-like.

12. Walt Simonson’s Thor: It’s hard, I believe, to do mythology in comics and keep it interesting. It’s difficult to write powerful characters and make them relatable. It’s sometimes career suicide to try and infuse mythology into superhero comics. Yet Walt Simonson made it look so easy. I am still in awe, and these are some of the only Thor comics I have ever enjoyed.

13. Peter David and Todd Nauck’s Young Justice: I suppose anyone who’s read our blog for any length of time figured I’d be including this. Comics about teen heroes have been around for years and there have been some good ones, but for my money, none have been better than this one. First of all, Peter David stayed for the entire run, and Nauck only missed a few issues (often because he was pencilling Young Justice specials or larger issues of the title), so the entire series has a coherence that so many series lack. Furthermore, Peter David was able to keep the cast relatable, keep relationships changing in believable ways, and he was able to do both amusing and deathly serious issues deftly. For a series to change tone as often as this did and not seem schizophrenic is a commendable feat, and David handled it with finesse. And may I say, while some may see Nauck’s art as cartoony, that like Mike Parobeck, Nauck was able to tell a damn good story, stripping away the unnecessary clutter that infects other artist’s work. Nauck handled the serious issues as well as he did the funny ones.

14. Kurt Busiek’s Astro City: This will be my last Kurt Busiek comic, but I had to include it. Astro City uses superheroes as a backdrop to tell stories about people; some issues the heroes have the stage, but often, they’re simply extras, as the stories talk about the regular people surrounded by these gods among men. It’s one of the most human series I have ever read, and well worth your time. I would be remiss if I didn’t mention Brent Anderson, who always does such a nice job making sure the stories look good.

15. Jack Cole’s Plastic Man: Jason mentioned comics from the Golden Age, and I said only one spoke to me. That one is Jack Cole’s creation, which has never been used as well since his death. Yes, I enjoy Plastic Man in the modern DC Universe (and recommend Kyle Baker’s series), but Cole’s Plastic Man was so ahead of its time that it deserves special recognition. Even though Cole produced these stories in the 40s and 50s, they resonate with the themes of the modern age. Yes, they’re funny, but the characters have actual personalities (rare in the Golden Age) the humor feels fresh (which is odd, considering how old they are) and the drawings seem to burst off the page.

16. Damage Control: Marvel’s series of limited series about a company that cleans up after superhero fights is such a common sense idea that I can’t believe it wasn’t done sooner. Much like some issues of Astro City, the heroes are often just the backdrop, as we explore the lives of normal humans, inhabiting a world filled with those with power. Yes, it’s funny, but there’s real characters and plots here to balance that. It’s a wonderful look at the absurdities of the superhero genre, while managing to remain a part of it.

17. Peter David’s X-Factor: I think it’s important to mention this series, particularly the first time Peter David tackled these characters alongside artist Larry Stroman, because it made one thing very clear: there are no stupid characters, or if they are stupid, you can still make them work. David took a group consisting of Havok and Polaris and a bunch of (what were then considered) stupid or unworkable characters and made them work. Madrox is, without a doubt, his strongest achievement, and the self-titled limited series that David wrote for him is also worth recommending. If someone had told me in the mid-90s that I would now consider Madrox one of the most interesting characters in superherodom, I would have considered them crazy. David also made Quicksilver interesting, a character that had always been searching for a writer who could keep his obnoxious personality intact, while making him likable. Hey, he almost even made me like Wolfsbane, but I’m not sure anyone could do that.

18. Early issues of JSA Volume 1: Geoff Johns sometimes get knocked around by critics for his love of obscure DC characters and his tendency to cannibalize DC characters and continuity for his own use. However, his early JSA issues, beautifully illustrated by Steven Sadowski, achieve something that other books should try to emulate; he successfully sells the idea of superhero legacies (where names and/or powers are passed down through generations) and reimagines some Golden Age concepts (like Mr. Terrific) for the modern age. Most of the first series was great, and the current series would be better if it wasn’t stuck with some of the plotlines running through the DC Universe, but the earliest issues are certainly worth a look.

19. Amazing Spider-Man #400: It’s struck me that Jason and I have listed precious few comics of the big names in the industry, like Spider-Man or Superman. This comic is one that is often overlooked, as it came out during the Clone Saga, and it featured the death of a character that has since come back to life. However, if you read it as it was originally written, it’s an incredibly moving story of the death of Aunt May. You finally see the chemistry and bond between her and her nephew, and her death will make you cry. It’s a shame they brought her back, as she will never get as good a send-off as the one J.M. DeMatteis and Mark Bagley gave her here.

20. Archie Meets the Punisher: If I have to explain it to you, you’ll never understand.

Cheater. Next time I’m going first so that I can look more original with my picks. Jerk.

Yes, yes, we had a few similarities and, once you read my following comments, you’ll see we had even more in common before I pruned my list. I’m stunned that the Vision and Scarlet Witch maxiseries was not on your list. That being said, I find it interesting that you also excluded all of the so-called “must haves” from your list. I think it’s an example of the media bandwagoning on comics and not really knowing what’s of interest to the true fan.

And now, since you tore my list apart and then managed to somehow call out my fandom like a common street houligan, I’m going to return the favor…

1. Any comics from Alan Moore’s ABC line (except Promethea): I have no opinion on these, because I’ve never read them. To be quite honest, aside from Watchmen and League of Extraordinary Gentlemen (and an excellent Superman story), I just don’t get Alan Moore. His superhero writing doesn’t stand out to me. Sure, it may be more nuanced and intellectual, but there’s also less punching of faces which leads to a certain amount of boredom.

2. Any Sergio Aragones/Mark Evanier Collaboration: I forgot all about Fanboy, not that I think it’s essential by any stretch of the imagination. If we did a list of the Top Humor Comics, I could see Aragones and Evanier taking a spot or two. This one seems out of place on an essential superhero list.

3. Roger Stern’s “Under Siege” story in The Avengers: Yes, this one was obviously on my short list. I think that’s why I made the comment about needing to do a Top Storylines post. In retrospect, I probably should have added this. It’s my favorite Avengers arc and probably one of my favorite comic stories of all time. The Masters of Evil finally lived up to their dubious moniker.

4. Kurt Busiek’s and George Perez’s “Ultron Unleashed” story in The Avengers: Two Avengers stories? Hmm…you didn’t even mention that I didn’t have a single Hawkeye story on my list. Actually, I was going to include the first West Coast Avengers miniseries on my list.

5. Frank Miller’s Batman: Year One: I don’t really have a good reason for not including this one, except for the fact that most of the story has been portrayed on film and portions of the origin have been revamped and redacted so many times as to make my head spin. Miller weaves a solid yarn, but I prefer the grittiness of his Daredevil work.

6. Thunderbolts #1: Yes. Almost made my list too. The utter jaw-droppingness of the ending make this one of the best single issues ever printed. And I agree that it may have been the last gasp of “wait for it” timing in modern comics. I often complain about how the internet has taken the fun out of comics.

7. John Byrne’s She-Hulk: Never read it, as I can’t see myself spending money on a solo She-Hulk book. Although, i have heard great things about the humor and how Byrne broke the Fourth Wall (similar to Morrison’s Animal Man). I’m surprised Dan Slott’s She-Hulk didn’t make your list.

8. God Loves, Man Kills: Meh. This strikes me as another of those “classic” stories that just doesn’t hold up well with the passage of time.

9. Mark Waid’s Flash: This is another one that I was seriously considering. Mark Waid made Wally West a person first and a superhero second…which is something DC has had trouble doing for most of its history.

10. Ben Edlund’s The Tick: Agreed on all counts. I’m also glad you singled out the fact that the issues NOT written by Edlund just don’t match up. Was that a double negative?

11. The Batman Adventures: I briefly thought about this title, but then I realized that I have the DVD box sets on my shelf and I’d much rather watch the cartoon.

12. Walt Simonson’s Thor: When I sold off the majority of my Thor collection, these are the only issues that I kept. However, I think that just may be the nostalgic side of me. I honestly haven’t retained any info from this run. Is this the one with the frog?

13. Peter David and Todd Nauck’s Young Justice: As little as I care for the majority of DC’s pantheon, I care even less about its junior members. Whatever.

14. Kurt Busiek’s Astro City: Busiek is a great writer, I just prefer superhero books that are actually about superheroes, especially when the superheroes who do show up are just derivatives from the Big Two. I’d be more interested in throwing Marvels onto one of our lists. Even though I think it missed some marks, the fact that it tried to show the human side of an already highly established universe made more sense to me.

15. Jack Cole’s Plastic Man: Plastic Man has always been a peripheral character to me. Right after I posted my list, I thought about going back and throwing in Beck’s Captain Marvel work, but I don’t know enough about that or Plastic Man to make a sensible argument.

16. Damage Control: Definitely a consideration for me. LOVED the first series. The subsequent ones didn’t have the same “Ooh” factor for me. Taking a peek behind the scenes in a superhero-filled world, and its repercussions, was definitely a unique vision at the time.

17. Peter David’s X-Factor: I wanted to include an X-Factor run, but I just didn’t think they were iconic enough for a “best of” superhero collection list. There are so many X-titles and offshoots out there that I just basically ignored the mutant sub-genre completely. However, these were good stuff. And that Madrox miniseries is one of the highlights of the last few years.

18. Early issues of JSA Volume 1: Again, not sure. I appreciate Johns’s enthusiasm for obscure characters and legacy heroes, but a lot of the stuff he worked with was still mired down with DC’s baffling continuity. You really had to know your stuff to follow along with some of it.

19. Amazing Spider-Man #400: Seriously? Hell, I’d rather reread the What If? issue with Aunt May as a herald of Galactus. If you wanted to pick a good Spider-Man story, why not the final Kraven one?

20. Archie Meets the Punisher: Really? You couldn’t find a 20th entry with more relevance than this? I think you can definitely see some of our personalities in these picks. You seem to have gone for the intentionally humorous while I’ve tended towards the accidentally funny books. I love irony.