Speaking of reviews….

Feb-04-09

So, the quiet time here at Meanwhile…Comics continues, certainly longer than either Jason or I intended.  Both of us have been a tad overwhelmed lately by work, and since work pays the bills, it always has to come first.  Jason is going to be offline for the rest of this week as well, but I couldn’t let the entire blog sit quiet for another seven days, hence this entry.  There may even be more rambling from me later in the week, and how exciting would that be? I know.  It is pretty exhilarating.

I have been communicating with Jason, very briefly, and he does have some exciting news for the blog, but I won’t talk about it too much.  It’s his news and he can share.  However, his news touches on the concept of reviewing items, a topic that Jason and I discussed quite some time ago.  We listed some of the reasons we don’t do a lot (ok, any) reviews, but at the time we said that we hoped to do more of them soon.  Since that entry, we have done exactly zero real reviews, which continues our perfect record!  Yay us!

One of the reasons that we don’t do reviews was brought home to me again this past weekend, when I was reading Peter David’s IDW series Fallen Angel.  Fallen Angel began life as a series set in the DC Universe, but just before two years had passed, DC cancelled the title.  Luckily, it was picked up by IDW (which is, seriously, one of the best of the non-big two publishers out there today.  They publish some great series, and have given homes to a lot of deserving works) and it continues to be published there to this day.  It chronicles the story of…well, a fallen angel, and the lives, loves and adventures of her and the other inhabitants of the very interesting city of Bete Noire.

It’s certainly not a secret to anyone who reads this blog on a regular basis that I am a huge fan of Peter David.  He wrote one of my all time favorite series, Young Justice.  Beyond that, I’ve enjoyed almost everything else he’s written.  He made me care about the Hulk, who was a character I had zero interest in until David’s tenure on the title.  I never read any of the X-Books on a regular basis, until David took over X-Factor, where he managed to make a rather unusual and motley crew of misfits into a really fascinating group (well, except for Wolfsbane…sorry, but she’s a character that still leaves me cold).  He took Madrox, for years considered a ridiculously silly and underpowered character, and made him one of the most interesting characters out there.  David has written numerous novels as well.  I started by reading his Star Trek novels, and soon branched out into his original novels, such as the Sir Apropos series.  Heck, I’m even a big fan of his column, “But I Digress”, which appears each month in Comic Buyers Guide.

Based upon how much I enjoy his work, it should come as no surprise that I picked up Fallen Angel when it was originally released by DC.  I have to admit, I wasn’t horribly impressed.  Some might say that this is because Fallen Angel is written in such a different style than a normal Peter David work, and that it’s not as amusing, but I would dispute that statement.  I don’t see David as simply a comedy writer.  I’m not sure how anyone who’s read the Hulk issue where Jim Wilson dies of AIDS, or the Young Justice issue where the Red Tornado’s adopted daughter is the victim of a hate crime, could consider David simply a comedy writer.  While he certainly can do comedy, and he can do it well, I’ve never pigeonholed him in that manner.  So, I wasn’t expecting Fallen Angel to be a laugh a minute.  It certainly was more serious than many of his titles, but I have no problem with that.  In the end, it wasn’t keeping my interest, and I was having problems remembering what had happened in the previous issue when I’d pick up a new one.  However, I continued to buy the series, both from DC and IDW.  Some people may consider that silly or counterproductive (why support something you’re not fond of), but I wanted to support David, and I should reiterate that I didn’t hate the series; I just wasn’t being drawn into it.

Had we been doing reviews of comics at that time, and had we reviewed Fallen Angel, I would not have been able to recommend it.  However, this weekend I sat down and read the entire series, from one end to the other.  Wow.  What a difference.  Read in its entirety, the series came alive for me in ways that it never had before.  The characters seemed more interesting, and their personalities were consistently engaging.  Plots and sub-plots sprang from the page and I realized that everthing fit together beautifully.  There was an obvious plan here, and the city of Bete Noire became a character in a way that is so extremely exciting when it happens, yet happens all too seldom.  It’s a shame that DC didn’t give the series more time, as Bete Noire would fit in quite well with their other cities (although, it’s also kind of nice to have the series in its own little universe.  I think it’s stronger without the idea that Superman or Batman could stop by for a visit).  After reading all these comics (over the space of a few days), I couldn’t wait for new ones to come out (which is sad, since the next issue for the title won’t be available until they relaunch the series again in December).

So, in the end, what is my point, beyond realizing that I had never fully appreciated Fallen Angel in the past?  My point is that, one of my problems with reviews is that my viewpoint on material will sometimes change.  Either the distance of time, or the circumstances under which I first encountered something will often color my thoughts on a story, and I may change my opinion.  I’m not saying that this means reviews are useless or that they’re a waste of time for those who either read or write them.  Often, my opinion doesn’t change, and as you force yourself to critically approach something you’ve read or watched, you can also carve your opinion more solidly.  That being said, one of my review concerns is that I will either applaud or condemn someone’s work, only to realize after time has passed, that I was wrong.  This is something that I’ll be taking into consideration as Jason and I move into doing reviews on the site.

Pfft…I’m NEVER wrong.

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Highlights of 2008

Dec-17-08

The last few days have been fun, as Jason and I peered into our crystal balls to look at what 2009 might hold. However, it’s possible that those thoughts may have seemed a tad cynical to some; I’ll go so far as to say that some may have called them snarky. It may seem to some readers that Jason and I look on the comics industry with disdain, and nothing could be farther from the truth. Well, ok, many things could be farther from the truth, but we’re not totally jaded. Along those lines, I wanted to look at some of the highlights of the previous year.

This is not a best of list. I simply don’t read the breadth of comics that I would need to read to compile a list like that. No, this is a list of what happened in 2008 that gives me hope for the future. I’ll also touch on those things that make me think that 2009 may not be such a bad year for comics after all.

A new Scott Pilgrim book announced for 2009. Jason and I have touted Scott Pilgrim quite a few times, but there’s a reason that this gives me hope. It has long been established that the only financially successful model for comics to follow is to publish monthly pamphlets (or floppies or whatever you want to call the comics that we all know so well) and then to collect those previously published floppies into trade paperbacks some months after their initial printing. There have been some original graphic novels, but generally those are only created by big name creators, those who already have a built in following.

Scott Pilgrim refuses to follow this model. Like the titular hero of the book, this creation comes to us in small graphic novels, each completely original. The writer/artist, Bryan Lee O’Malley, is not a well known creator with a built in following. Yet he’s publishing Scott Pilgrim in a way which I feel shows that there are other options beyond what Marvel and DC believe comics can be published. He’s not the only one who’s exploring alternate ways of publishing comics, but he’s one of the most successful and he gives me hope for the medium.

Jeff Smith’s career. Jeff Smith is the writer and artist who created the absolutely charming and exciting Bone comic, which he self-published. That comic ended in 2004, at which time Smith began working on the equally amazing and endearing Shazam: Monster Society of Evil, a four issue limited series which made the best use of DC’s Captain Marvel that I’d read in decades. Once that miniseries was over, Smith went back to creator owned work, publishing RASL, a series about a dimension-jumping art thief. So why does his career fill me with such hope?

I believe that corporate comics have a place, and can be quite enjoyable, but I also believe that they can drain the creative fire from a creator. I’ve seen creators who I greatly admire go to work for DC and Marvel, only to find the originality, humanity and that special unique voice they had disappear within that culture (<cough> Winick <cough>). Jeff Smith proved that you can do those corporate comics and not lose your voice. He’s also shown that he can succeed in multiple genres, as RASL has proven to be just as intriguing as Bone, albeit not as dependent on adorable animals and stars. I’d love to see more creators take those lessons to heart.

Captain America. She-Hulk. X-Factor. Manhunter. I’m not a big fan of where the Marvel or DC Universes are going these days. I find that both companies seem to favor brainless, unending crossovers, where perhaps a few good ideas lay buried, instead of simply publishing good books. That being said, the titles I mention above are all excellent comics, and they prove that even when you’re writing a comic set in a universe that has taken a turn for the worse, you can still write an entertaining story. Sadly, two of these four comics have been cancelled, but I have no doubt that they will be replaced by other entertaining books that shall dance on the periphery of the major superhero universes, reminding us that some people truly can make lemonade from even the tartest of lemons. They give me hope that, even if I don’t like the direction of Marvel and DC, they will always publish some comics I enjoy without reservation.

Ed Brubaker and Grant Morrison: These men have written some of the most mainstream comics on the stands today, and can be considered some of the movers and shakers of their respective universes. Not all of their comics are ones that I love, but more often than not, they have written books that continue to push at the edges of the comic’s medium, taking old, overused cliches of the business and making them work. Along the way, they’ve managed to create some comics which truly show that superheroes can be fun to read, they can be interesting, and they can be used to explore some important themes. I look forward to seeing what these gentlemen create in 2009.

DC Starts its Final Crisis: I’m not a big fan of this Final Crisis. That said, I love the word Final, and while I’m probably being naive, I’m hoping that it truly is final. I’m hoping that, in 2009, we’ll see DC move away from these huge events, and just start telling stories again. Stories that begin in a hero’s book and end (yes, they must end to be a story; Marvel and DC both need to recognize that) in that same book. Stories that don’t require a massive knowledge of the DCU, and stories that, simply put, are good. That’s my hope for 2009, and I have it because DC tells me that this is the last of their crises. Fingers crossed.

James Robinson returns to comics. Of course, he may have left again, if rumors are true, but his return gave me hope. I believe that Robinson is at his best when he’s writing books where he doesn’t have to worry about massive editorial interference, or worrying about umpty-bazillion crossovers, but just the fact that he’s writing comics again means we could possibly see the brilliance he displayed in Starman and The Golden Age. One of my favorite comics writers ever has returned, and that makes me happy.

There’s some of the things that give me hope for 2009. Jason, anything to add?

Yes, in fact, I do have a few things to add. Some build off of what you’ve already stated and others reflect my own twisted favorites in the comic industry.

First off, I heartily agree with your Scott Pilgrim recognition. I also like how you couched your point in the position that a new book was “announced” in 2008. While O’Malley has been rather methodical in putting out a volume a year, 2008 went by without any Scott Pilgrim. #4 came out towards the end of 2007 and #5 comes out early next year. I’m just glad to know we don’t have to wait much longer!

Your praise of a few good series interests me. I’ve been saying for a year or more that I wanted to start reading the She-Hulk trades. I guess it’ll be easier to catch up now that the series has been cancelled! I gave up on X-Factor a few issues ago. With the tie-ins to both Messiah Complex and Secret Invasion, it felt like the book lost its entertaining focus. The stories turned more towards plot devices than character interaction. And the artwork became quite horrible, in my opinion. Sad, really. I liked the early run that built off the Madrox miniseries from a couple years back. I’m on the second of Brubaker’s Captain America trades and it’s…interesting so far. Not sure I like it yet as much as his Daredevil run. All in all, Brubaker has probably impressed me the most this past year…from the mentioned titles to Criminal to Immortal Iron Fist…and, in the theme of this post, I’m looking forward to his Incognito book with Sean Phillips in 2009.

I’d be remiss if I didn’t mention Brubaker’s partner in crime on Iron Fist (and Uncanny X-Men), Matt Fraction. You know how much I’ve enjoyed his writing the past few years. While his Marvel work has lost some of the attitude and sparkle of his more independent stuff, I still think Matt is one of the top up-and-comers in comics today. The first arc of his Invincible Iron Man felt like something I wanted to write, which is probably the best praise I can offer in my own conceited world. Curious to see what he has up his sleeve for 2009.

Andy Diggle on Thunderbolts has me curious. Loved his run on Losers, and the Green Arrow: Year One book was a solid take on the character. I’m also looking forward to Dan Slott’s run on Mighty Avengers. Partially because he’s not Bendis and partially because Slott is a huge Avengers fan, but mostly because he writes fun books with the right mix of action, comedy and crucial moments. I first became a fan of his work with the Arkham Asylum: Living Hell miniseries he did at DC in 2003. The early issues of his Avengers: Initiative drew my interest for a while, but I ended up cutting it from my pull list when it got too mired in “big event” plotting. Another book I liked was Paul Cornell’s Captain Britain and MI:13 series. Unfortunately, I only got the first four issues and then couldn’t track down the rest. I guess I’m looking forward to the trades in 2009!

I’ll echo your approval of James Robinson’s return. I picked up the first hardcover collection of Starman this summer and loved it. His Golden Age is one of my all-time favorite stories too. It’s true that he seems to work best when not being saddled by continuity and editorial interference. That said, volume two of Starman comes out in a few short months! DC has also started releasing larger hardcover collections of Y: The Last Man and just announced the same treatment for Fables. I give two thumbs up to those decisions. I want to get my wife interested in both titles (I already got her hooked on Preacher and Blue Monday) and these hardcovers seem like the best way to do it. On that note, Chynna Clugston started a new Blue Monday miniseries in 2008 and I look forward to grabbing that trade next year.

A lot of the other stuff I’m interested in may show up in my stocking from Santa next week. My wish list includes things like: Chip Kidd’s Bat-Manga book, the Skyscrapers of the Midwest collection from Josh Cotter, the first trade of Warren Ellis’ Freakangels, Mesmo Delivery by Rafael Grampa, a few of the Golden Age ACG archives (Green Lama, Magicman, Nemesis) put out by Dark Horse, the Scud collection from Image, Omega the Unknown by Jonathan Lethem & Farel Dalrymple and Blake Bell’s book about Steve Ditko. Most, if not all, of these books were released in 2008. Kudos to the comic industry for that output!

See? Not everything I read has superheroes in it!

On a final note, I’d also like to expand on your note that Final Crisis was introduced in 2008. Unfortunately, it wasn’t finished in 2008. I’m going to go on the record right now and announce that I just don’t care for event comics. Sure, I buy them every freakin’ time they put them out, but I think that’s more a collector’s reflex than any sort of focused interest. I’m almost always disappointed by the results. And DC’s overall universe has taken a gigantic hit in stability, from my point of view, as a result of all this constant “OH NO!” foreshadowing and angsty, heavy-handed plotting. There is not a single title on DC’s current slate, aside form some Vertigo titles, that interests me in the least. Two years ago, I was reading almost everything they put out. If that’s not a glaring problem, I don’t know what is. Sadly, Marvel is starting to deliver the same results for me. The only titles I consistently read anymore are the peripheral books that don’t seem to be as rooted in the general nonsense going on. I’d like to see a moratorium on Events (with a capital “E”). At the least, corral them into a family of titles instead of the entire breadth of your output. The dreaded Spider-Man: Clone Saga was an odious piece of garbage, but it was segregated enough to keep its stench off the rest of the world. Same goes for most X-Men soap opera plots that I have less and less interest in as I get older. Is it too much to ask that we just get an excellent run of Justice League stories or Avengers stories or Batman stories or (god forbid) Wolverine stories without all the restless claptrap constantly revolving around them? And don’t tell me that the “market has changed” and the “customers’ expectations have evolved.” That’s complete and utter bull. These changes and evolutions are self-made. Writers write “for the trades” because they’re lazy or because the publishers are greedy. It has nothing to do with the readers. I’m pretty sure I never signed a petition asking for gloomy, redundant, violent comics without a glimmer of hope or excitement. I don’t remember picketing outside DC’s offices with a sign that said “More Rape Please!” I’m not saying Spider-Man shouldn’t be punching bad guys in the face. On the contrary, I think he should do more of it…with less of the “sky is falling” consequences, sideways glances, overwhelming politics and downward-spiral finality of it all. Lighten the f*** up.

I know that rant isn’t really a “highlight” of 2008. But perhaps 2009 could be the year we get back to good, fun comics? I’d like to be able to praise that accomplishment at this time next year.

John?

Jason, Jason, take your tablets.  Go to your happy place for a few minutes.  We’ll wait.

Of course, I can’t disagree with your rant at all.  Your points are all valid, I agree with them, and I would also love to see 2009 be a return to more fun comics.  Not every comic has to be Giffen/DeMatteis’ Justice League, but not every comic has to be a blood drenched gritty buzzkiller either.  Good grief.  Alan Moore (not one of Jason’s favorites, but I like his work) seems to be able to do serious stories that don’t seem to drown in pathos and unnecessary violence.  Perhaps it’s because, for every From Hell he’s written, he’s also produced a more lighthearted book, like Tomorrow Stories or Tom Strong

Still, I believe we may have gotten off point a tad.  I will echo your words about Dan Slott, a writer who does an excellent job of writing good stories, yet recognizing that they can be fun.  His Great Lakes Avengers limited series is still one of my favorites.  And for those, like you, who were turned off by Larry Stroman’s art on X-Factor, he has left the book, so you may want to give it another try.

We’ve both shared some of what we thought was important in 2008, as well as what gives us hope in 2009.  There’s good stuff out now to read, and more on the way, but the percentage of good reads compared to what’s being published isn’t nearly as high as it should be.


John’s 20 Things Every Super-Hero Comic Collection Needs

Oct-14-08

You’ll find that my list, as opposed to Jason’s, tends to hit more specific issues than Jason’s did. It’s also, of course, informed by my personal preferences. There are plenty of important comics that I simply didn’t include because I’m trying to find the comics that people will enjoy reading, and will still show the comics medium at its best and show everything of which the medium is capable. Before I get started, I want to mention that there are four things on my list (and one thing on my list of “Honorable Mentions”) that are also on Jason’s list. To avoid repetition, I’m going to mention them now, but instead of including them below, I’m going to bump some of my “Honorable Mentions” up to my main list. It may be cheating, but there are so many cool things out there that I want the opportunity to list them all (and I still won’t have room)!

So, Jason and I agree on Starman, James Robinson’s series, a true wonder of comics. The best superhero series of the modern age, this series may be unique in that it ran for 80 issues, and was only ever written by Robinson. The plotting is dense and well planned; things in the first issues pay off in the final issues. The characters sound like real people, and they grow and change as the series progresses. This is what superhero comics should be, and honestly, you could read these issues, never read another comic again, and be happy.

We also agree on Keith Giffen and J.M. DeMatteis’ Justice League run, which showed that you could be funny and still make good comics. This was particularly groundbreaking, coming out in the late 80s, when Grim ‘N Gritty was the order of the day. We also both feel that Warren Ellis and Bryan Hitch’s Authority is worth checking out, for it’s ability to show superheroes as they might act in the real world, and for it’s groundbreaking “widescreen” storytelling. We believe that one of the first series to do that was Mark Gruenwald’s Squadron Supreme, which wasn’t as adult as Authority, but first threw out some of the ethical questions that superheroes must grapple with. Finally, we both direct your attention to Robert Kirkman’s Invincible, a fine example of the quality superheroes you can find if you wander outside of the Big Two.

What about my own picks? Read on….

1. Any comics from Alan Moore’s ABC line (except Promethea): I’m sure a lot of people think us crazy for listing so few Alan Moore comics on our lists. I’m a big fan of his work, and much of it can be recommended, but it’s been recommended elsewhere, and if you’re a fan of comics, you’re going to have read Watchmen, V for Vendetta, From Hell, Swamp Thing or any of his other titles. The ABC line is important because it gave Alan Moore the chance to do lighter, brighter (but no less interesting) fare. I would highly recommend Top 10, as it’s my favorite from this line, but Tomorrow Stories is also an excellent choice, as it highlights how differently Moore can write for different artists. Give one of comic’s greatest writers a chance to show you how well he can write any genre.

2. Any Sergio Aragones/Mark Evanier Collaboration: Jason mentioned their comic Groo in his last pick, and it is a great one. However, it’s not superheroes. On the plus side, these two have done superheroes, in specials where they Destroyed DC and Massacred Marvel. They also did an interesting series for DC called Fanboy, where the titular character became intimately involved with the comics he loved so much. They’re work together is funny, and more importantly smart, and even better, it often has a great message, which they communicate without beating you over the head.

3. Roger Stern’s “Under Siege” story in The Avengers: Being the huge Avengers (and Roger Stern) fan that he is, I was amazed that this didn’t make Jason’s list. These issues, which chronicle the Masters of Evil invading and occupying Avengers Mansion, are some great superhero comics. They may not be the modern inspiration that Starman is, but they clearly show that, in the world of superhero corporate comics, you can still do great stories. The follow up to these issues, in which the Avengers must go to fight the Gods of Olympus, are just as strong. I should mention that John Buscema’s art in all of these issues is superb and helps to make them the classics that they are.

4. Kurt Busiek’s and George Perez’s “Ultron Unleashed” story in The Avengers: Normally, I wouldn’t include two Avengers stories in a list like this. I also tried to find stories that showcased different aspects of the superhero genre. This story is, like “Under Siege”, just a really great superhero comic. However, it is so great, that I couldn’t choose between it and the one above. These issues pit an Avengers team consisting of the classics (Captain America, Iron Man and Thor) with Black Panther and the newcomer Firestar, as they battle an army of Ultrons to protect our world. The panel where the tired and battered heroes finally reach the main Ultron robot, hurt but not broken, is one of the most powerful superhero panels I’ve even seen.

5. Frank MIller’s Batman: Year One: I agree with Jason that Dark Knight Returns simply no longer holds up. However, I believe that Year One does, and it’s my pick for the best Frank Miller work ever. Somehow, in the space of four issues, Miller was able to distill Batman down into his very basics, giving us a fresh and believable tale of how one man could begin the campaign that would make him an icon. You could read this story and never read another Batman tale, and know everything important about the character.

6. Thunderbolts #1: Another Kurt Busiek story (this one pencilled by the always reliable Mark Bagley). If you read this comic in a vacuum, it’s inclusion on my list may make no sense. However, if you had read it when it was first published, the mystery may vanish. Today, it’s impossible, it seems, for comics to be published without fans knowing every detail of the issue; who will die, who will return from the dead, who will be unmasked. The Thunderbolts had been teased for a few months as a new team of heroes, and while some subtle hints had been dropped that there was more going on with them then was apparent, the reveal at the end of the first issue was amazing. It also led into an incredible run which took the superhero concept and turned it on its ear, examining villains trying to become heroes.

7. John Byrne’s She-Hulk: There are a lot of great comics that John Byrne has created, but like Alan Moore, if you’re a fan than you’ve already heard of his incredible work on Alpha Flight or Next Men or Fantastic Four. I  recommend his work on She-Hulk because it again showcases a well known creator doing something different. Byrne’s She-Hulk was again, a very amusing book, although Byrne went much farther over the line than any of the other amusing books on my list. She-Hulk regularly broke the Fourth Wall, chatting with her readers; villains took breaks between their scenes. It was glorious fun, and it is a shame Byrne’s time on the book was so truncated, as no subsequent writer could pull it off as effortlessly.

8. God Loves, Man Kills: If you want a superhero comic collection, there has to be an X-Men comic in it, right? Jason recommended the Claremont/Byrne issues, and they’re wonderful. However, this graphic novel is my favorite. Written by Chris Claremont, and drawn by Brent Anderson, it details the crusade of a religious zealot to stamp out mutants. Claremont is someone who I often criticize for his stylistic writing style, but they’re not in evidence here. Like Year One, you can read this comic, and know everything important about the X-Men.

9. Mark Waid’s Flash: Mark Waid wrote The Flash for years, sometimes alone and sometimes in partnership with Brian Augustyn. Their issues introduced Impulse, explained the Speed Force, and pitted Wally West against innumerable villains. However, that’s not why I chose these issues. I chose these issues because they are the best example of a superhero story that is, in reality, a love story. Sure, there were fights and plots and worlds to save during these issues, but the heart of these stories was the love between Wally West and Linda Park. Everything else was just background noise, easily overwhelmed by the love these two shared. While most heroes have love interests, I’ve rarely seen a romance as real as this one.

10. Ben Edlund’s The Tick: Jason mentioned this when he mentioned comics from other companies, but I singled this out and included it because it is demonstrably a superhero comic. It just happens to contain a man-eating cow and ninjas. It may seem like I keep coming back to funnier examples of superheroes, but this one is the most amusing I’ve ever read. Unlike the others, which mostly tried to ground their adventures in the reality of their comic book universes, the Tick isn’t grounded at all (he lives in a world where villains have chairs for heads). I recommend the original issues that Edlund wrote and drew himself; I laugh until I cry even after multiple re-readings.

11. The Batman Adventures: Comics heroes have visited different media since the radio shows based on Superman. Some of those visits have been good, others have been bad. When the animated Batman show appeared, it was so good, that it gave something back to the medium that birthed it’s hero: this series of comics, presenting some of the best Batman stories ever published. These stories, beautifully illustrated by Mike Parobeck, show how you can tell an excellent story by stripping out the extraneous (and unnecessary) and focus on the important. Some people found the series too plain, but those people missed the boat. They were elegant in their simplicity, and the well written and drawn stories were anything but child-like.

12. Walt Simonson’s Thor: It’s hard, I believe, to do mythology in comics and keep it interesting. It’s difficult to write powerful characters and make them relatable. It’s sometimes career suicide to try and infuse mythology into superhero comics. Yet Walt Simonson made it look so easy. I am still in awe, and these are some of the only Thor comics I have ever enjoyed.

13. Peter David and Todd Nauck’s Young Justice: I suppose anyone who’s read our blog for any length of time figured I’d be including this. Comics about teen heroes have been around for years and there have been some good ones, but for my money, none have been better than this one. First of all, Peter David stayed for the entire run, and Nauck only missed a few issues (often because he was pencilling Young Justice specials or larger issues of the title), so the entire series has a coherence that so many series lack. Furthermore, Peter David was able to keep the cast relatable, keep relationships changing in believable ways, and he was able to do both amusing and deathly serious issues deftly. For a series to change tone as often as this did and not seem schizophrenic is a commendable feat, and David handled it with finesse. And may I say, while some may see Nauck’s art as cartoony, that like Mike Parobeck, Nauck was able to tell a damn good story, stripping away the unnecessary clutter that infects other artist’s work. Nauck handled the serious issues as well as he did the funny ones.

14. Kurt Busiek’s Astro City: This will be my last Kurt Busiek comic, but I had to include it. Astro City uses superheroes as a backdrop to tell stories about people; some issues the heroes have the stage, but often, they’re simply extras, as the stories talk about the regular people surrounded by these gods among men. It’s one of the most human series I have ever read, and well worth your time. I would be remiss if I didn’t mention Brent Anderson, who always does such a nice job making sure the stories look good.

15. Jack Cole’s Plastic Man: Jason mentioned comics from the Golden Age, and I said only one spoke to me. That one is Jack Cole’s creation, which has never been used as well since his death. Yes, I enjoy Plastic Man in the modern DC Universe (and recommend Kyle Baker’s series), but Cole’s Plastic Man was so ahead of its time that it deserves special recognition. Even though Cole produced these stories in the 40s and 50s, they resonate with the themes of the modern age. Yes, they’re funny, but the characters have actual personalities (rare in the Golden Age) the humor feels fresh (which is odd, considering how old they are) and the drawings seem to burst off the page.

16. Damage Control: Marvel’s series of limited series about a company that cleans up after superhero fights is such a common sense idea that I can’t believe it wasn’t done sooner. Much like some issues of Astro City, the heroes are often just the backdrop, as we explore the lives of normal humans, inhabiting a world filled with those with power. Yes, it’s funny, but there’s real characters and plots here to balance that. It’s a wonderful look at the absurdities of the superhero genre, while managing to remain a part of it.

17. Peter David’s X-Factor: I think it’s important to mention this series, particularly the first time Peter David tackled these characters alongside artist Larry Stroman, because it made one thing very clear: there are no stupid characters, or if they are stupid, you can still make them work. David took a group consisting of Havok and Polaris and a bunch of (what were then considered) stupid or unworkable characters and made them work. Madrox is, without a doubt, his strongest achievement, and the self-titled limited series that David wrote for him is also worth recommending. If someone had told me in the mid-90s that I would now consider Madrox one of the most interesting characters in superherodom, I would have considered them crazy. David also made Quicksilver interesting, a character that had always been searching for a writer who could keep his obnoxious personality intact, while making him likable. Hey, he almost even made me like Wolfsbane, but I’m not sure anyone could do that.

18. Early issues of JSA Volume 1: Geoff Johns sometimes get knocked around by critics for his love of obscure DC characters and his tendency to cannibalize DC characters and continuity for his own use. However, his early JSA issues, beautifully illustrated by Steven Sadowski, achieve something that other books should try to emulate; he successfully sells the idea of superhero legacies (where names and/or powers are passed down through generations) and reimagines some Golden Age concepts (like Mr. Terrific) for the modern age. Most of the first series was great, and the current series would be better if it wasn’t stuck with some of the plotlines running through the DC Universe, but the earliest issues are certainly worth a look.

19. Amazing Spider-Man #400: It’s struck me that Jason and I have listed precious few comics of the big names in the industry, like Spider-Man or Superman. This comic is one that is often overlooked, as it came out during the Clone Saga, and it featured the death of a character that has since come back to life. However, if you read it as it was originally written, it’s an incredibly moving story of the death of Aunt May. You finally see the chemistry and bond between her and her nephew, and her death will make you cry. It’s a shame they brought her back, as she will never get as good a send-off as the one J.M. DeMatteis and Mark Bagley gave her here.

20. Archie Meets the Punisher: If I have to explain it to you, you’ll never understand.

Cheater. Next time I’m going first so that I can look more original with my picks. Jerk.

Yes, yes, we had a few similarities and, once you read my following comments, you’ll see we had even more in common before I pruned my list. I’m stunned that the Vision and Scarlet Witch maxiseries was not on your list. That being said, I find it interesting that you also excluded all of the so-called “must haves” from your list. I think it’s an example of the media bandwagoning on comics and not really knowing what’s of interest to the true fan.

And now, since you tore my list apart and then managed to somehow call out my fandom like a common street houligan, I’m going to return the favor…

1. Any comics from Alan Moore’s ABC line (except Promethea): I have no opinion on these, because I’ve never read them. To be quite honest, aside from Watchmen and League of Extraordinary Gentlemen (and an excellent Superman story), I just don’t get Alan Moore. His superhero writing doesn’t stand out to me. Sure, it may be more nuanced and intellectual, but there’s also less punching of faces which leads to a certain amount of boredom.

2. Any Sergio Aragones/Mark Evanier Collaboration: I forgot all about Fanboy, not that I think it’s essential by any stretch of the imagination. If we did a list of the Top Humor Comics, I could see Aragones and Evanier taking a spot or two. This one seems out of place on an essential superhero list.

3. Roger Stern’s “Under Siege” story in The Avengers: Yes, this one was obviously on my short list. I think that’s why I made the comment about needing to do a Top Storylines post. In retrospect, I probably should have added this. It’s my favorite Avengers arc and probably one of my favorite comic stories of all time. The Masters of Evil finally lived up to their dubious moniker.

4. Kurt Busiek’s and George Perez’s “Ultron Unleashed” story in The Avengers: Two Avengers stories? Hmm…you didn’t even mention that I didn’t have a single Hawkeye story on my list. Actually, I was going to include the first West Coast Avengers miniseries on my list.

5. Frank Miller’s Batman: Year One: I don’t really have a good reason for not including this one, except for the fact that most of the story has been portrayed on film and portions of the origin have been revamped and redacted so many times as to make my head spin. Miller weaves a solid yarn, but I prefer the grittiness of his Daredevil work.

6. Thunderbolts #1: Yes. Almost made my list too. The utter jaw-droppingness of the ending make this one of the best single issues ever printed. And I agree that it may have been the last gasp of “wait for it” timing in modern comics. I often complain about how the internet has taken the fun out of comics.

7. John Byrne’s She-Hulk: Never read it, as I can’t see myself spending money on a solo She-Hulk book. Although, i have heard great things about the humor and how Byrne broke the Fourth Wall (similar to Morrison’s Animal Man). I’m surprised Dan Slott’s She-Hulk didn’t make your list.

8. God Loves, Man Kills: Meh. This strikes me as another of those “classic” stories that just doesn’t hold up well with the passage of time.

9. Mark Waid’s Flash: This is another one that I was seriously considering. Mark Waid made Wally West a person first and a superhero second…which is something DC has had trouble doing for most of its history.

10. Ben Edlund’s The Tick: Agreed on all counts. I’m also glad you singled out the fact that the issues NOT written by Edlund just don’t match up. Was that a double negative?

11. The Batman Adventures: I briefly thought about this title, but then I realized that I have the DVD box sets on my shelf and I’d much rather watch the cartoon.

12. Walt Simonson’s Thor: When I sold off the majority of my Thor collection, these are the only issues that I kept. However, I think that just may be the nostalgic side of me. I honestly haven’t retained any info from this run. Is this the one with the frog?

13. Peter David and Todd Nauck’s Young Justice: As little as I care for the majority of DC’s pantheon, I care even less about its junior members. Whatever.

14. Kurt Busiek’s Astro City: Busiek is a great writer, I just prefer superhero books that are actually about superheroes, especially when the superheroes who do show up are just derivatives from the Big Two. I’d be more interested in throwing Marvels onto one of our lists. Even though I think it missed some marks, the fact that it tried to show the human side of an already highly established universe made more sense to me.

15. Jack Cole’s Plastic Man: Plastic Man has always been a peripheral character to me. Right after I posted my list, I thought about going back and throwing in Beck’s Captain Marvel work, but I don’t know enough about that or Plastic Man to make a sensible argument.

16. Damage Control: Definitely a consideration for me. LOVED the first series. The subsequent ones didn’t have the same “Ooh” factor for me. Taking a peek behind the scenes in a superhero-filled world, and its repercussions, was definitely a unique vision at the time.

17. Peter David’s X-Factor: I wanted to include an X-Factor run, but I just didn’t think they were iconic enough for a “best of” superhero collection list. There are so many X-titles and offshoots out there that I just basically ignored the mutant sub-genre completely. However, these were good stuff. And that Madrox miniseries is one of the highlights of the last few years.

18. Early issues of JSA Volume 1: Again, not sure. I appreciate Johns’s enthusiasm for obscure characters and legacy heroes, but a lot of the stuff he worked with was still mired down with DC’s baffling continuity. You really had to know your stuff to follow along with some of it.

19. Amazing Spider-Man #400: Seriously? Hell, I’d rather reread the What If? issue with Aunt May as a herald of Galactus. If you wanted to pick a good Spider-Man story, why not the final Kraven one?

20. Archie Meets the Punisher: Really? You couldn’t find a 20th entry with more relevance than this? I think you can definitely see some of our personalities in these picks. You seem to have gone for the intentionally humorous while I’ve tended towards the accidentally funny books. I love irony.


Angel & Iceman: Best Friends Forever

Oct-06-08

Do you think Bobby Drake and Warren Worthington wrote the typical messages in their Xavier Institute yearbooks? You know, all of those “have a great summer” lines and “remember that time we gave Cyclops a wedgie?” quips. I would conclude that they did, indeed. Why is that? Well, for the simple reason that the two of them seem to be inseparable in the Marvel Universe. So what makes these two heroes such tight teammates?

Let’s try to find some answers, shall we? Angel and Iceman made their first appearances in X-Men #1 way back in September 1963. Since that time, you rarely see one without the other. They remained on the original X-Men team through issue #94 in August 1975. My first inclination would be to say that they were so used to being teammates, that when the first incarnation of the X-Men split, Angel and Iceman thought it would be best to continue on together. Beast was too cool for school and had already left to join the Avengers. Cyclops stuck around to lead the new team. And Jean Grey was too busy being killed and reborn for nearly 12 years to be bothered by any sort of continuity.

Being post-teen mutants in the swinging 70’s must’ve been too much for Warren and Bobby, so they decided to take a cross-country trip to Los Angeles and join the most disparate group of comic book weirdos ever assembled (since trumped by nearly every Defenders gathering ever). Until January 1978, they were members of The Champions. Evidently, writer Tony Isabella wanted The Champions to be just Angel and Iceman, but editorial intervention brought in Black Widow, Hercules and Ghost Rider (and later, Darkstar…with Black Goliath and Jack of Hearts waiting in the wings). Aside from the completely obvious pairing of two mutants with a Russian spy, a Greek demigod, and a flaming demon on a motorcycle, The Champions was most noteworthy for having the team face off against Swarm, the Nazi beekeeper. That was good stuff.

Times must have been tough after that powerhouse group disbanded. For the next couple of years, Angel and Iceman make scattered appearances, primarily in a few issues of Spectacular Spider-Man , Marvel Two-in-One and What If? And, while Iceman was busy on his big television debut in Spider-Man and His Amazing Friends, Angel had a recurring role in early Dazzler issues.

Angel & Iceman somehow dragged themselves out of character purgatory and dove headfirst into the eighth circle of Marvel hell, the Defenders. In October 1983, they joined their fellow former X-Man Beast in the New Defenders (Beast having joined up with the non-group after his run with the Avengers). I don’t have the issue in front of me, so I can only assume that Bobby and Warren agreed to come aboard after a conversation with Beast that involved a lot of crying and begging on his part. I don’t know. Maybe they lost a bet? That seems likely.

When that group broke up for good in February 1986, the duo came together with their Xavier Institute alumni to form the original X-Factor. Yes, they were saved from falling back into obscurity by becoming mutant hunters. See, X-Factor (aside from unbelievably bringing Jean Grey back to life and facilitating Cyclops leaving his wife and newborn child) was set up on the basis of reverse psychology. They “hunted” mutants, but were secretly mutants themselves and only “hunted” other mutants in order to save them from persecution. Shh! Don’t tell anyone.

Of course, realizing that calling yourselves mutant hunters was probably bad PR for mutants in general, they soon abandoned that premise and were promptly taken over by the government who quite enjoyed the mutant hunting notion. By this time, the main catalyst for keeping the original X-Men from rejoining the flock (Magneto as leader) had been removed and Angel & Iceman were free to return to the fold. Oddly enough, the two of them continue to come and go together from the X-Men pretty much up through present day.

Are they just good friends? Are they MORE than friends? Is it something about their powers that work well together? Is Bobby Drake really shallow and just hanging out with Warren Worthington because he’s rich? Is Angel sticking close to Bobby because his powers are cooler and make up for Angel’s inadequacies?

There HAS to be an underlying theme here!

It’s interesting that you bring these two up as a couple, since there were rumors swirling in the late 90s and early 00’s that Iceman was gay. That would have supplied an interesting reason for why he hung out with Angel so much; he had an unrequited crush on our winged mutant. However, Marvel, no doubt feeling that one gay mutant was more than enough, quashed these rumors pretty quickly, and started trying to give Iceman feelings for any woman he came in contact with, which always struck me as being incredibly forced and uncomfortable. I’m not saying I think Iceman is gay, as much as I’m saying that having a crush on every girl he met had never been his thing before, and trying to shoehorn it into his personality now just didn’t seem to work.

In the end, I think these two have a nice little bromance going and they certainly have spent more time together than any other mutant duo I can name, except for Cyclops and Jean or Havok and Polaris, which isn’t really helping their claims of being no more than a bromance. Iceman, we may remember, actually did try to break up the Angel/Iceman bromance with an actual romance; when Polaris was first introduced, her boyfriend was Iceman, and the two were rather inseparable. Well, inseparable for all of about ten issues, until Havok was introduced. His golden hair, chiseled features and Summers boy ability to have women fall all over him quickly seduced Polaris, and she left a very hurt and angry Iceman to chase after a man who couldn’t control his powers, and could emit mortal blasts of concussive force at any time. Polaris wasn’t too bright in her early appearances.

It is interesting that Iceman and Angel have ended up together so often. If one reads the early issues of the X-Men, when they appeared together, or even the issues of X-Factor in which they starred, they don’t tend to pal around much. Both of those books almost always paired Iceman off with the Beast; they were the Scooby and Shaggy of the mutant set. I would consider Angel the Daphne of the group (some might think Jean should have that position, but I would argue no; after all, Daphne is useless, which fits Angel, Jean has red hair, just like Velma, and in the end, Angel is prettier than Jean), and we all know that Daphne never runs around with Scooby and Shaggy. Indeed, Angel usually spent time with Cyclops and Jean, especially in the early issues of the title, when Stan Lee and subsequent writers were desperately trying to create some tension in the Cyclops/Jean relationship by making us think that Angel might sweep Jean away before Cyclops got his chance. Sadly, it’s difficult to build that tension, since it was obvious that Jean had no romantic interest in Angel by her thought balloons, so unless Angel was going to kidnap her and force her to marry him at gunpoint, the reader could be confident that Jean and Cyclops would eventually be together.

Iceman and Angel both have tried to separate themselves; they’ve both had limited series and one-shots, and as I’ve mentioned before, Iceman even went back to college and became a Certified Public Accountant. Surprisingly, this career does not appear to have held his interest. Apparently, he preferred dealing with Magneto over dealing with the IRS.

I don’t believe their powers are incredibly compatible, and they don’t seem to complement each other much in that regard. Of course, as we’ve noted, except when he had the metal wings created by Apocalypse, Angel is basically worthless. In 1963, as I’ve also mentioned before, most of Marvel’s heroes (except for Thor and the Hulk) were much weaker; the whole Marvel Universe was probably a 1/3 of the power that it is today. Over the years, both heroes and villains got stronger, and where the ability to fly was relatively unique and interesting in 1963, by the mid-80s almost everyone in the Marvel Universe could fly, even Aunt May (that time she became the herald of Galactus). Upgrading Angel to Archangel and giving him metal wings was a very necessary way of keeping the character relevant, but it has sadly been reversed, and he is now useless once more. Certainly, as I’ve said before, the personality is more important than the power, but when your power is the ability to flutter around the villains, smacking at them with your little pink fists, you become difficult to write, and generally frustrating to read about. Hey, I liked Cypher of the New Mutants too, but the ability to understand languages earned him a grave before he was out of his teens.

I’m sure the real reason that Iceman and Angel so often find themselves on teams together is because someone in Marvel editorial feels that, by placing them both on a team, you can get some of the magic of the original X-Men. This is also highly absurd, as the original X-Men had no magic; if they had, their book would not have been bimonthly and they wouldn’t have been in reprints for two years in the 70s. Still, putting either Iceman or Angel on a team means nothing, and conjures up no images. Putting them together makes one think of the original mutants, and that means something. Storywise though, it also makes a certain amount of sense. If you’re launching a new venture, surely you’re more comfortable with an old friend at your side. Since the original X-Men were rather insular and didn’t mix much with the rest of the Marvel Universe (much like the current X-Men, come to think of it) Angel and Icemen don’t have a lot of friends beyond their immediate teammates, and the original X-Men class certainly shares a bond that would be hard to break. I would imagine that it’s this very sense of camaraderie that keeps these two close through thick and thin.

I agree with you for the most part. I’m trying to recall any significant romances that either Angel or Iceman have had in their documented existences. Iceman had a fling with Opal Tanaka, who ended up leaving him for a former villain. He dated Lorna Dane on and off over the years. And he flirted with Havok’s nurse Annie for a bit. Angel has done slightly better for himself, pursuing both Jean Grey and Dazzler, bagging Candy Southern during the Champions years, hooking up with Psylocke later on, becoming close with a police officer as Archangel and even having an implied fling with the much younger Paige Guthrie.

Angel has always come across as being above everyone else around him (perhaps that’s a subliminal reference to his angelic name and abilities). He was a superhero on his own before being located by Xavier. He helped house and fund both the Champions and the Defenders for some time. And he supposedly left the X-Men for a while because he thought Wolverine was a “brute.” Seems pretty metrosexual to me.

Bobby plays like more of a hanger-on. He’s younger than Warren and probably more unsure of himself and his place in the world. At the same time, he’s also more laid back and easy to get along with. Iceman, as you’ve noted, has palled around with Beast and is friendly with Spider-Man.

I, for one, was completely horrified when Angel lost his wings. And then, when Apocalypse turned him into Archangel, I was pretty ticked off. It wasn’t so much that they had messed with one of my favorite characters, it was that they used that lame villain to do it. I can’t stand Apocalypse. Archangel’s metal wings seemed like a pure 90’s thing to me. And they were out of place for such a grounded character whose entire identity was originally based around trying to hide his wings and then learning to live with them. Man, the writers really put him through the ringer emotionally during those years too. His wings are cut off and replaced, he watches his girlfirend be killed, then he has to deal with Apocalypse. Poor guy.

His lack of significant power doesn’t bother me. He just has to be used as more of a tactical weapon than a powerful one. And he has his purpose…he flies up high and looks at stuff. Whee! Plus, I think his newly revealed secondary mutation of having “healing blood” is much more in line with the angel imagery.

As far as the idea of constantly placing Angel and Iceman on teams together, I think there is some resonance for readers. Sure, the beginning publishing history of the X-Men is laughable at best, but over the years the characters have become rather iconic. There are worse things that Marvel has done than trying to build a team around a few original mutants (*cough*Spider-Clone*cough*). Hell, there wasn’t any other common thread holding the Champions together, was there? And the Defenders actually started to feel like a team when Beast was leading a group that included a couple former teammates and friends.

Honestly, it’s weird for me to think of Iceman and Angel in separate lights. They’ve been side-by-side for so long that one without the other just seems odd. I was completely taken aback when Iceman was on TV with Spider-Man. It just didn’t make sense (not to mention how much better the show would have been with Iceman AND Angel). And the few runs where Warren worked in tandem with the Avengers just felt awkward to me. I remember being excited to see Angel and then feeling dirty after reading the issues…like I just witnessed something I shouldn’t have. Of course, those weren’t the best years for the Avengers either.

Maybe this entire history is why I suggested we set Bobby and Warren up as leaders of the X-Men. The two characters have been ingrained in my brain as a permanent team. Man and man, side-by-side. Two former schoolboys sticking up for each other through thick and thin. Not that there’s anything wrong with that.


Jean Grey: Rising like a Phoenix…again and again and again….

Oct-02-08

So, we’ve made our first small push into the world of the X-Men, and what have we learned? We’ve learned that Peter David writes some of the best mutant books around, we’ve learned that Jason hasn’t read too many stories featuring Nightcrawler, and we’ve learned that just that short stint into the X-World gave me a headache. The sad thing about that last statement is that the concept of the X-Men and the mutant world is a solid one. The oppressed minority is never a theme that will grow out of date or become less relevant (sadly) and it will always resonate with readers. Unfortunately, over the years Marvel’s Merry Mutants have become so horribly enmeshed in a convoluted and hard to follow continuity that sometimes trying to figure out where a certain character stands can be difficult for the casual reader (and sometimes it’s hard for the devoted reader). As a case in point, let’s examine the poster child for screwed up continuity….Jean Grey.

Jean Grey was introduced in 1963 as one of the five original X-Men. Given the name of Marvel Girl, she was telekinetic. She and Cyclops were dancing around a relationship, and would eventually become romantically involved, a romance that would last for more than four decades. Marvel immediately began to confuse Jean’s origin by claiming, after she had already existed for some years, that she was not just telekinetic; she was also telepathic. Plus, she’d known Professor X for years before joining the team. Um. Ok. Well, that was never shown in her early appearances, but no worries. We’re comics fans, and we can roll with these things. Jean left the X-Men when the series was revived from obscurity in the mid-70s, but she continued to make guest appearances in the title, and was unlucky enough to be guesting when the Sentinels came calling. Along with other members of the team, she was kidnapped to outer space. On the return trip (after the Sentinels had been defeated), Jean piloted the space shuttle back to Earth through a radiation storm, while the other members of the team stayed safely in some shielded pods. Sadly, the radiation was too strong, and poor Jean died when the ship crashed into the Hudson River.

Her first death lasted less than an issue; she was back pages after expiring, now calling herself Phoenix, and with powers far beyond those of mortal mutants. She made even more appearances in the title as Phoenix, but her power levels began to grow to truly cosmic levels, and after going a tad mad and destroying an entire planet, she committed suicide to protect those who she loved from her own out of control powers and emotions. Oooh, death #2. This one was going to last a little longer. Five years, to be precise.

However, while Jean was dead, she wasn’t forgotten. Cyclops met another woman who looked exactly like Jean. Her name was Madelyne Pryor, and while Cyclops could never completely forget about Jean, he began to fall in love with Madelyne. They got married, and Madelyne got pregnant. Everything looked rosy. Then Jean returned.

Yes, during a routine emergency, the Avengers found a life support pod in the Hudson River. With some help from the Fantastic Four, they cracked this baby open and found….Jean Grey! But wait…wasn’t she dead? Well, not as dead as you might think. It turns out that Jean Grey had never been Phoenix. In reality, the Phoenix was a cosmic force, who had put Jean in suspended animation and had taken her place. Jean had never destroyed an entire planet. That was all the Phoenix Force. Jean was now free and clear of the guilt, but wait…she no longer had telepathic powers. She was only telekinetic again. But she was back. She didn’t want to rejoin the X-Men, who at that time were associating with Magneto, who felt that he could be a good guy if he just ran around with a giant ‘M’ painted on his costume, so she convinced the original X-Men to form a new group: X-Factor.

The idiocy which was the original X-Factor is fodder for another column, but I do want to digress for a minute: This is where it became clear that Cyclops is a jerk. When Cyclops finds out that Jean has returned to life, he abandons his wife and UNBORN CHILD and immediately runs to her side. He comes back shortly after his son is born, but stays for a very short period of time and leaves again. This would be a slimy enough move if he told Madelyne that he was divorcing her, but he doesn’t even do that; he simply leaves, with not so much as a “Dear Madelyne” note. Wolverine wasn’t kidding in the first X-Men movie when he called him a dick.

It’s then revealed that Madelyne looks so much like Jean because Madelyne is actually a clone of Jean, created by the villainous Mr. Sinister (who is villainous because it’s hard to be a hero when your name is Mr. Sinister). Madelyne suddenly has super powers, begins calling herself The Goblin Queen, and fights Jean to the death. Madelyne dies, but not without revealing that (and I must quote Wikipedia for this, since even though I’ve read the bloody issues, I still don’t know what happened) “the piece of Jean’s consciousness that had merged with the Phoenix Force (which had migrated into Madelyne Pryor upon the death of the Phoenix) returned to Jean, granting her all the memories of both Madelyne and the Dark Phoenix. Jean now also contained a spark of the Phoenix Force but would later expel it while helping an alien world fend off a Celestial.” Thank you Wikipedia. So, Madelyne is dead, there’s only one Jean Grey again and even though she’d never been Phoenix, she now remembered it like she had been, and had a sliver of cosmic power in her. And, even though she’d never been her own clone, Madelyne, she remembered that too as if she had been. Oh, and somewhere in there she regained her telepathic powers. Also, somewhere in here, I began drinking heavily.

Jean and Scott now plan to raise the baby that Scott and Madelyne had, since Jean, with Madelyne’s memory, considers it her baby as well. Of course, they don’t have much of an opportunity to raise the child, before it’s infected with a technovirus by the villain Apocalypse, and they have to send it to the future to be cured, where it will also be raised and will grow to become the hero Cable, who will come back in time as an adult. He’ll actually come back in time twice, coming back again some years later in a younger incarnation calling himself X-Man. Jean tries to deal with parenting both of these people, but it’s difficult when they’re almost as old as she is. Of course, she should be used to it since a daughter from YET ANOTHER future timeline that had already come back to the past, when Jean was originally dead, and had called herself Phoenix, and had joined the X-Men. Jean met her a few times after she returned to life, and the meetings were often awkward, as any meeting with your child from an alternate reality would be. I’m sure we can all relate.

Who wants aspirin?

So, Scott and Jean finally get married. For a honeymoon, they go to the future, where they get to raise the son that they sent to the future years ago and who would become Cable. They spend years in the future, but she doesn’t actually age because she’s inhabiting someone else’s body at the time. So, she does get to raise her son…well, Madelyne’s son, but it’s almost like her own. So, everything is hunky-dory in Jean-land and things can get back to a semblance of normality, right? Well, not quite. Cyclops, proving he’s just as much a dick now as he was when he deserted his wife and infant son, starts having an affair with Emma Frost, a former villain who tried to kill Jean on numerous occasions. The two women aren’t too friendly, since when Sentinels killed Jean a few years before (the third time Jean died) she had projected her mind into Emma’s comatose form. Not surprisingly, Emma was never happy about this, and even less surprisingly, Jean eventually returned to life in her own body. Anyhoo, Cyclops explains to his wife that he and Emma only screwed around on the mental plane, not in reality, so it doesn’t count. Jean’s not sure she agrees, and the marriage isn’t doing well.

Things never have the chance to get sorted out. Jean is on a spaceflight with Wolverine and they are being pulled toward the sun. Perhaps Jean should stay the hell off spaceships? In any case, Wolverine kills Jean so she doesn’t die when they go into the sun, because being stabbed through the heart with bone claws is so much more enjoyable then being incinerated. Death #4. To the surprise of no one, Jean returns to life, again manifesting the Phoenix Force which makes no sense, since she was never Phoenix in the first place! Arrrgh! I hate these stupid writers! Why can’t they keep their bloody stories straight!? This sort of thing is the reason that…..

Sorry. (Keep it together John. You’re almost there. Deep breaths.) Ahem. So, Jean is alive for the fourth time, and returns to Earth, where she fights Magneto, who kills her for the fifth time. This happened four years ago, and she’s stayed dead so far, but anyone who thinks that this one is going to stick needs to go back to Remedial Comics and read some more Marvel comics.

I’ve just re-read that, and it still makes no sense to me. What really bothers me is that I like Jean Grey; I think she has interesting powers, and I think she’s an interesting character, when she’s not being crushed under the weight of her own ridiculously convoluted backstory (and I’ve actually simplified things and also left out some minor deaths and story points). If the X-Titles can do this to one of the founding members of the X-Men, it becomes obvious why so many people have problems following their titles.

What say you? Does Jean have potential? Do you agree that she’s been ridiculously mishandled? Is there even anyway to save a character this badly mangled?

Holy crap.

Yeah. Should we go back to talking about the Avengers?

No, no, this is good. I mean, really it’s awful, but in a good way. You never realize how ridiculous a lot of this sounds until you see it written out in a completely biased way. Wikipedia gives a solid history of the character, but they don’t delve into the laugh-out-loud horror and nonsense implied in such a backstory.

I agree that Jean Grey used to be an interesting character. And, even though I’m usually completely against the soap opera aspects in the X-Men canon, her frustrating love triangle with Cyclops and Wolverine was inspired. Of course, as you’ve pointed out, they never really handled Cyclops’s side of it very well. What a lousy double standard.

Sadly, the only thing I can think to do (since she will inevitably return at some point) is to give her some sort of brain injury. Honestly, if we’re going to embrace all the daytime mantras for these characters, we might as well incorporate some memory loss. I’d take it a step further and actually give her a physical blow to the head that cuts off some of her exaggerated powers, makes her forget her past with Scott and all the weird alterna-kids, and maybe even forces her to absentmindedly drool a bit. Ooh, maybe even give her an eyepatch. Eyepatches are cool.

Seriously though, Jean became highly inconceivable once her powers and abilities ballooned out of control. The twisted relationship she shared with Scott was completely unbelievable. And the Cable-Nate Summers-Rachel Summers-Madelyn Pryor-Phoenix stuff just makes my cerebellum bleed. I has head asplode!

Jean Grey was great as a cute telekinetic girl, sort of naive and sheltered, who grew up to be a stalwart supporter of a dedicated cause. I have a weakness for redheads, so I always wanted her to be useful. Most of the time I was disappointed. And it’s strange to say that the X-world isn’t really that much different without her around.

That said, she is the only female founding member of a fairly significant part of Marvel’s history and should be restored to a position worthy of such status. I was only half joking when I suggested memory loss. If she were to forget who she was, what she was able to do, and what she meant to people, I think her character could be regrown in a positive way. It would be a natural catalyst to dampen her powers. It would also allow us to explore other relationships with her, which would then cause reactions in her former friends and lovers. And it would add an innocence back to the character which has been sorely lacking. I mean, really, I think you become pretty complacent with things after your third or fourth death. Or so I’ve heard.

So yeah, I’m actually advocating a swift blow to the head. How does that feel?

I think you may be on to something. There’s no real way to fix Jean’s backstory; any fix that I can think of would just complicate her history even more and that’s the last thing she needs. I think the best thing to do when she returns (and we all know she will) would be to just ignore the past, and the only way that the character can ignore it is if she doesn’t remember it. Whether that actually involves the Blob smacking her on the head and giving her amnesia, or more likely, Jean returning from the dead with the amnesia already in place, that’s the best way to go.

As for reducing her powers, I don’t mind the telepathy (although I don’t think it’s integral to the character), but they truly have to divorce her from the Phoenix concept once and for all. It was a great plot, and the original story is a classic, but it’s done now, and it’s time to move on. Keep her power levels down to more average levels, and instead of focusing on whether or not she’s going to go cosmic again and start destroying planets, focus on her personality.

That brings us to her love life, and yes, let’s move her beyond Cyclops. That ship has sailed, and Cyclops is obviously over her. I’d love to see them actually explore the Wolverine angle. Of course, Marvel has teased it for years, but I think they’re afraid to let Wolverine get close to a female. I’d love to see what would happen if Wolverine began to get close to Jean; especially a more innocent Jean. It could be interesting for both characters. Not that Wolverine is the only option; let Jean play the field a little. I’m not saying she should sleep with any guy with an X on their costume, but let her date a little and see what’s out there. Since her first appearance in 1963 she’s been stuck on Cyclops, who’s treated her horribly. It would be interesting to see her with anyone else. (It also might be interesting to see Cyclops’ reaction to Jean dating other men. Would he finally get jealous? Would other characters put him in his place, by relating his past missteps in the romance department?)

So, Jean comes back, as we know she will, and she has amnesia, allowing the character to begin in as fresh a way as possible. I like it.

Yes, yes! I was more or less angling for the amnesia angle. My favorite resurrections have always been the mysterious ones. And what’s more mysterious than when the character herself doesn’t even know what happened? I say they stumble upon her lying nearly unconscious out in some barren desert. She gets nursed back to health, eventually regains some of her powers (I guess I don’t mind the telepathy. I just hate when the power levels are so crazy.) and maybe even falls in love with…Angel or Iceman? How awkward would that be for everyone involved? Cyclops would probably instantly pine for her, which could end up backfiring easily as she gets turned off by his constant whining and attention. Teach that jerk a lesson.

I know it’s a cop out, but a permanent sort of amnesia is a great way to reboot relationships and personalities and all the rest. Bring back Jean, but make her a blank slate!


Dream Team: X-Men

Oct-01-08

“Meanwhile…Comics!” has existed for five months now and we have yet to delve into the vast world of Marvel’s mutants. The soap opera plots, the endless parade of characters and the Moebius Strip-like continuity have clearly struck fear into our comic-loving hearts. For some, X-Men lore is better experienced than explained. However, that doesn’t necessarily mean that you can’t play favorites.

There are clearly characters that I enjoy over others. There are also characters who play nicer than others on a team. If you can somehow capture the intersection between the two, I think an X-Men Dream Team is possible. Of course, there are pretty much no parameters for creating an X-Men team. The ranks have swelled from the original cast of five to two teams of five or six with color-coded names. You’ve had the Xtreme X-Men, two X-Forces, New Mutants, Young X-Men, New X-Men, another set of New Mutants, a couple different X-Factors, Astonishing X-Men, and a base team with a rotating cast of anywhere from 8 to 20 members. This is leaving out smaller gatherings of mutants like Fallen Angels, X-Terminators, X-Statix or Excalibur. I guess I’ll just start picking people and stop when it feels right. So who would be on my perfect X-Men? I’m glad you asked…

Cyclops: Obviously. Not a true born leader, but sculpted and refined along that path by Professor X. Cyclops has been in pretty much every incarnation of the X-Men since its inception (including a 200-issue run from the beginning of Uncanny X-Men). I always found it funny that he was the only character on the cover of Giant-Size X-Men #1 who was both in the background as a member of the original team and also shown “busting out” as a member of the new squad.

Kitty Pryde: Whatever codename she happens to be going by this week, I think Kitty is perfect. Her power set is unique. The fact that she has grown up as part of the X-family is important, as is the fact that she’s developed a very strong-willed persona in that time.

Colossus: Sure, he’s got an interesting past with Kitty, but the main reasons for including him on any great X-Men team are his strength and his background. I liked the era of X-Men that featured characters from around the globe. I think it added a unique viewpoint and showed that mutants could be anywhere.

Iceman: Another original member who has really shown his strengths throughout his career. His powers have increased as has his heroic attitude. He’s also good at delivering one-liners. And I think he’s got an interesting look.

Mystique: This is the first of my “huh?” picks. Again, her look, her background and her powers are unique for the team.

Siryn: See above. I’m sure I could make a better argument for her than Mystique. Siryn is a legacy member. She’s fiery and temperamental. And I love the fact that she’s pregnant with Madrox’s child.

Madrox: Obviously. Madrox is, perhaps, my favorite mutant of all time. I love that they’ve added a tilt to his powers that allows his clones to have their own adventures and their own emotional set, which he can then reabsorb into himself.

Dust: Gotta have a rookie on the team. This is someone who has a truly unique set of powers and would look up to Kitty as a mentor/role model.

That gives me four men and four women. Three members with projectile-based attacks and one strength-based. One who can fly (three if you include similar powers from Iceman and Dust), two who can change shape, two who can pass through things. The only angle missing is someone with mental powers, but I’ve never cared for that focus anyway.

Yep…eight is enough. What do you think?

You know, I’d love to agree with you on a lot of these choices….but I can’t. I think I shall agree on a few though. Let’s see if I can’t organize this so it’s easy for the folks at home to follow along.

Jason says Cyclops: I agree with much of what you’ve said about Cyclops, and he really is the quintessential X-Men leader. However, I have to admit that I tend to find Cyclops rather boring. For years he’s had only a sliver of a personality, and while they’re trying to make him more interesting now, it’s not working (mostly because it’s hard to believe that he’s finally developed a personality after years of being rather dull). However, there is another X-Men leader who’s almost as iconic, and much more interesting as a character, and that’s Storm. Her powers are more interesting, and she managed to lead the X-Men for years when she didn’t even have any powers. So, I’d prefer to swap Cyclops for Storm.

Jason says Kitty Pryde: And John agrees. Wholeheartedly. Fascinating character, lots of fun, neat powers….run with this one.

Jason says Colossus: Well, Colossus is certainly Zzzzzzzzz. Wha! Sorry dozed off. About Colossus…Zzzzzzz. Yeah, that’s basically how I feel about Colossus. I have always found him to be one of dullest characters in, not just the X-Men mythos, but any mythos. Much like Cyclops, he seems to be defined only by his intense brooding and whining about the depressing twists and turns that his life has taken. Hey, I sympathize Big Guy. Your life does suck. You were better off dead.

Replacing him is somewhat problematic, if you want to match powers. When you get right down to it, the X-Men don’t have a lot of super strong characters. While a super strong hero is one of the components of almost every team, the X-Men have never seemed to really need one. However, since you mention Madrox (and we’ll get to him in a minute, but here’s a spoiler; I also think he should be on the team), I’d like to nominate his fellow X-Factorian Strong Guy as a member of the group. Strong Guy, also known as Guido, has the strength, but a much more interesting personality. He seems to be a smiling joker, but there’s real pathos under there. I think he’s much more interesting.

Jason says Iceman: I’m going to nod in accord on this one as well. He does have a fascinating look, and he’s easily the most interesting character of the original team. One of the things I love about Iceman is that he’s been around the Marvel Universe longer than anyone but the Fantastic Four, Spidey, and some of the very early Marvel heroes. I mean, Iceman is a veteran of the hero business, and yet, he’s not totally committed to it. He’s not developed his powers as much as he could have, and although he’s been doing more of that lately, there’s still territory to mine in that vein. I also think he may be the only CPA the team has, which I find is a niche many teams don’t take the trouble to fill.

Jason says Mystique: You know, I actually do like Mystique. Yet, I have to agee with what you said about her and ask “Huh?” She’s a neat character, but I don’t think she belongs in the X-Men. She’s a villain and works better in that context, and if you want to make her more of an anti-hero, I still think she works better on her own, or with a team that she has control of. Instead, I’d nominate her son, the ever fuzzy Nightcrawler. I think that Nightcrawler has one of the best looks in comic-dom, and his powers are different and interesting. Plus, he has a long history with the TV, and helps out with the different nationalities that you mentioned earlier. I’m also going to return to something I mentioned in the Avengers, and that’s his religious background, which I think can be interesting if not dwelled on, but used only when appropriate.

Jason says Siryn: I understand why she would be nice on the team, since Madrox is on the team and she’s carrying his child. Sadly, I’m not that fond of Siryn. I don’t dislike her, but she leaves me somewhat cold. I would instead suggest that we replace her with something that this team is desperately lacking, and it simply wouldn’t be the X-Men without one…a telepath! Specifically, I contend that Psylocke would be the perfect candidate to fill that void. I know that she’s been treated horribly over the years. She started out as such an interesting British noblewoman who became another cookie cutter killer (another sad casuality of the 90s) and then had her backstory horribly mangled when she got split into two beings. To that I say, whatever. I’d like to strip her back to her core, of a telepathic British woman who’s endured some harsh times, but who is still a product of her upper class English upbringing.

Jason says Madrox: Couldn’t agree more. I give all the credit for this to Peter David, who took a character that had been a joke for years and reinvented him as someone worth reading about. Without a doubt, he’s the most interesting character in the X-Universe, and perhaps the most interesting character in the entire Marvel Universe. He deserves his shot at the big team, and I’d like to see him get it.

Jason says Dust: John says who? Man, making me use Wikipedia. Huh. Whaddya know? I’ve read her appearances, and still couldn’t remember her. Man, if Grant Morrison can’t make a character memorable, perhaps that’s a strong hint that the character should be forgotten. Still, I like the idea of a Muslim on the team. The X-Men have long been used as symbols of any group of people wrongly hated and persecuted for something, and Muslims in America can certainly count themselves among that number. That being said, I have problems including her on the team, when I simply don’t care about her. I would disagree that the team needs a rookie (just like you don’t think they need a telepath), and were I going to replace her, it would be with Dr. Cecelia Reyes. I can hear you thinking the same thing about her that I feel about Dust, but I’ve always liked this character. First of all, it gives the team a medical doctor, which I am amazed more teams don’t have. Second, it fills the role of a rookie, without going with the more cliched young adolescent coming into their own. Dr. Reyes is a grown woman with a lifetime of experiences; those experiences just don’t include using her powers to fight Magneto. She’s a strong female character, but she doesn’t wear skintight outfits (usually) and she’s not a sex object.

So, I have Storm leading Madrox, Kitty Pryde, Iceman, Dr. Reyes, Strong Guy, Nightcrawler and Psylocke. Four men, four women. Four different nationalities. Nice mix of distance powers and brawlers. Thoughts?

Ah…here we go again. These are funny exercises to me because I know we like a lot of the same characters and I know we both have our favorites too. It’s compelling trying to find a satisfying balance. Makes me wonder if the actual Marvel writers go through any of this or if they just selfishly pick whoever they want. Anyway, on to Round Two…

John says Storm: Wow. I don’t think I can put into words how much I dislike Storm. Never liked the character (even when she had a mohawk). Heck, I get irritated just thinking of the voice used for her in the X-Men cartoon. And I have a distinct problem with mutants whose powers extend outside of themselves. How does having a unique DNA map translate into being able to control natural winds, precipitation and freaking lightning? There’s zero correlation. I will say it here and now: I HATE Storm. If you want to do another old school X-Man with the power of flight (and a neat new healing ability), let’s throw Angel into the mix. He and Iceman have a looooong history of working side-by-side, from X-Men to Champions to Defenders to X-Factor and back again. Warren has a more cerebral approach to the cause and, in all honesty, is a bit of a pacifist. I think he’d make a solid leader with good judgment. Let Bobby assume some of the responsibility for the team in the field, and you create an interesting dynamic as well.

John says Nightcrawler: Honestly, I feel pretty much the same about Nightcrawler. I don’t necessarily hate him for being who he is, but I despise the one-dimensional characterization he has endured for the last 20 years or so. “Ooh, he looks like a demon but he’s really a devout Catholic!” Whatever. Get over it. I like the idea of having a teleporter on the team, but Kitty is close enough for me. And, truth be told, I was subliminally trying to put together a team of mutants who could easily appear as normal human beings in public. Unless you employ the hokey image inducer belt he sometimes wore, Nightcrawler does not fit that bill. I’d much rather see Forge or Cannonball in this slot. Forge has a very unique and useful ability, but Cannonball adds a bit more youth and action to the team, so I’m going with him.

John says Psylocke: I like Psylocke and will give you that one. I agree that she was a great character before they messed with her.

John says Cecilia Reyes: And Jason says: BORING. Force field generation, huh? Oh boy. In my defense, Dust had a useful (and extremely powerful) ability and she’s a fan favorite. If I wanted force fields, I’d pick Armor. At least she has a discernible personality. I’m not insisting on a rookie, but I think it adds a bit of adventure and uncertainty to the team. If you don’t like Dust, may I suggest Pixie? She has limited teleportation powers, can fly, and emits a magical “pixie dust” that creates some pretty potent hallucinations.

John says Strong Guy: I hate to rag on your counter-picks, but I find no joy in Strong Guy either. I really liked him in the earlier X-Factor title. I thought he was funny and his story was kind of tragic. However, now he just bores me. His codename started out as a clever aside too, but now I just think it’s kind of…uh…unprofessional? There’s nothing to really set him apart. I’d rather throw a revitalized Dazzler into the mix and angle my team more towards finesse than power. Dazzler has connections to Cannonball (who rescued her once), Pixie (who is a fan of her music), Kitty & Psylocke (she was on the X-Men with them previously), Iceman & Angel (through the original X-Factor) and Madrox (because Strong Guy was her bodyguard). She’s like the perfect “Six Degrees” member!

We agreed on Iceman, Kitty Pryde and Madrox. Plus, I gave you Psylocke. That means we’re halfway there!

So, my rebuttal is as follows: Angel & Iceman leading a team of Madrox, Kitty Pryde, Psylocke, Cannonball, Dazzler and Pixie. Four boys and four girls. Some flying, some mental abilities, and at least two projectile-based attacks. Two original members without any of the true icons (please NO Wolverine or Gambit). Well-rounded and tied together nicely. Your turn!

Yeesh? Hate Storm much? I found it amusing that you mention her voice in the cartoon. The old Fox X-Men cartoon had to have had the worst Storm voice ever. She was so horribly dramatic and she always yelled her lines. My friends and I actually had one of her lines enter our lexicon; in an episode where the X-Men got their butts handed to them, Jubilee is complaining that its all her fault. In an attempt to console her, Storm explains that Jubilee is not to blame for their poor showing: “We all failed. Together.” Bwah-ha-ha! Ah, I still chuckle thinking about it. Anyway, my point is, I agree with you on her cartoon presence, but I think that Storm is a much better character than you give her credit for, and I’ve always loved the issue where she kicks Cyclops butt without her powers.

However, your suggestion of Angel is a great one. Angel is an interesting character, one without a lot of power (I suppose in 1963, the ability to fly was considered enough of an ability to get by as a mutant), but with decades of experience. I think the idea of Angel and Iceman leading the team together is brilliant; they’ve got the seniority, the experience, and the relationship between them to make this a fascinating concept. Winner! Angel is in.

I can’t believe you’re dissing Nightcrawler. I think he’s one of my top three favorite mutants ever, and I’d like to fight for his place on the team. Even if you jettison the Catholic part of his character (and your description of the way he’s been handled baffles me, since his religion is almost always ignored in stories), I like him because he’s more upbeat and fun. He’s a swashbuckler, and good grief, the X-Men need more characters like that. He’s rarely sunk into the morbid pathos that infects so many of the team. However, you countered with a character that I almost suggested instead of Dr. Reyes, and that’s Cannonball (I also almost suggested Forge, a character I’m also quite fond of). Cannonball is a great character; a genuinely good person that’s trying to do the right thing, but without the boring non-personality that often infects Cyclops. I also like the idea of having a character from the American south who doesn’t perpetuate the stereotypes of that area; yes, he has the accent, but he’s smart, he’s well mannered, he doesn’t eat grits…he’s not a walking caricature. Cannonball it is.

Pixie? Pixie? Maybe I’m just old, but the new characters universally fail to interest me, and Pixie is certainly one of those. In fact, I can’t find a young X-hero that interests me. I find them bland and uninteresting. I picked Dr. Reyes not because of her powers; I find powers to be one of the last reasons I use to select a character. I almost always choose personalities first. You can have the best mix of powers in the world, but if they’re grafted onto boring two-dimensional characters, it won’t really matter. However, if you have characters that work well together and interest both the writers and the readers, you can find ways to make the powers work together. Dr. Reyes was a different personality, someone that you don’t find often in super-hero books. Usually the new hero is an adolescent, coming to their powers at a point in their life where they’re just developing into the adult they will become. Dr. Reyes is someone who’s already an adult, and has quite a few life experiences, and now she finds this unwelcome superhero world shoved into her life. I think that could make for interesting stories.

However, if you don’t like her, and I don’t like Pixie, and can’t find anyone else that’s young and interesting to me, could I counter with Forge? We both like him, and he does present at least a little of the outsider mentality. Yes, he’s worked with the team a few times, and he led X-Factor for a short while, but he’s not much of a field agent, and I’d like to see him in that role. Plus, if you want a more skilled team, I think Forge fits that bill admirably. It also would be nice for the team to have a scientist type, and perhaps Forge could come up with some nifty gadgets for Angel to use, so he doesn’t have to just fly around like a giant cardinal all the time.

Dazzler? I strongly dislike this character. She was mildly interesting in her early appearances, but of course, she looked so ludicrous at the time (70s disco has much to answer for; Marvel has even more to answer for by introducing a 70s disco character in the 80s) that I couldn’t take her seriously. When she returned to prominence in the 90s, she looked much better, but her personality was intensely irritating. She grated on me everytime she spoke, although to be fair, almost everyone on the team then grated on me. Chris Claremont had entered that period of his career where everyone spoke in the same voice, one where they had a sing song rhthym to their speech that could drive a strong man to Jack Daniels and quaaludes. However, she was egotistical, selfish, pushy and seemed like she’d be more at home hanging out with Brenda in 90210 than she was on the X-Men. Ugh.

If you’re more insistent on a snotty female who is pretty, skilled and drives everyone around her crazy, how about using M? I’d be worried about taking too many X-Factor characters, but we’re back to just using Madrox again. M has some useful powers (and gives us superstrength again), and while she’s extremely arrogant, she’s fun. She annoys those around her, but in such a way as to amuse the reader. Plus, you had originally hoped for a more multi-national team, and most of those members have been eliminated by one or both of us, so this gives us the chance to bring in someone who is not American.

So, we have these members settled: Angel and Iceman lead the team. Members include Kitty Pryde, Cannonball, Psylocke and Madrox. That’s six definites. I am offering Forge and M as our last two members. That gives us three woman and five men. It also gives us a Native America, someone English and someone from Bosnia, so there’s some diversity. I like it. You?

Man, you cave too easily! Funny, I was just reading that last paragraph and thinking to myself “who the heck is from Bosnia?” Then I whipped over to Wikipedia and realized that Monet was Penance. I don’t think I ever knew that (I quit reading Generation X fairly early on). I love Monet in X-Factor. I think she would be a brilliant addition because of the awkward tension she could drum up concerning Madrox. She also has ties to Cannonball from the X-Corps days. As you stated, she adds some super-strength to the mix and she has some telepathic abilities as well.

I do like Forge. My concern with him is that he seems so much older than the rest of the team. And, like you said, he doesn’t seem to have on-the-field experience. He’s used to working in a lab on his own time. I’m not sure how his reflexes and reaction skills are. That said, he is handy to have around…I dunno. I go back and forth with him. On one hand, he hooked up with Storm. On the other hand, he fought alongside Rom the Spaceknight. On one hand, he has a long history with Madrox. On the other hand, he’s deeply mired in the types of twisting plots and traps that have haunted X-Men comics for decades. Hmm…decisions, decisions.

There were some other names that I was playing around with. Juggernaut always interested me as a good guy, but without Professor X in the picture, he seems out of place with this group. I always liked Havok and Polaris. Marvel has really done a number on Polaris, making her crazy, then one of Apocalypse’s Horsemen, and now she’s off in space with the Starjammers. Whatever. Havok has lost a lot of his focus too. He was always best when either paired with (or in conflict with) his brother or in a relationship with Polaris. Without either of them around, he’s pretty drab.

Y’know what? I’m going to backtrack a bit and throw Nightcrawler back onto the table. I still don’t comprehend how you think religion hasn’t been the focus for him. Every story I remember reading (aside from that first mini where he was some sort of pirate) had to do with him seeking penance, trying to find reason in the world or just isolating himself to study the Bible. However, he offers a solid bridge between the old and new X-Men and he has a truly unique ability. Plus, he’s pretty tight with Kitty.

I think that lines up nicely for us, and it’s not what anyone would expect if we said “name the X-Men.” I’ve never been a fan of the obvious though, so Angel & Iceman leading a team of Madrox, Cannonball, Psylocke, Kitty Pryde, Nightcrawler and Monet seems right to me!